In the Middle Ages, Old Occitan (formerly “Old Provençal”) was a literary and cultural language, the influence of which extended far beyond the frontiers of Southern France. It was also the language of the troubadours, whose songs had a decisive impact on the love poetry of the European literatures during the Middle Ages.
The only comprehensive portrayal of the Old Occitan vocabulary to have…
Ceiling and mural paintings are constitutive elements in the design of baroque interiors. Unlike all other forms of pictorial art, these truly three-dimensional artistic media define early modern architecture literally from above, through colourful and complex iconographic programmes: in ecclesiastical as well as secular environments, in residential palaces and ceremonial halls, churches and…
In the course of the project the works of the so called “Austrian Bible translator”, who created a comprehensive bible-translation and commenting about 200 years before Luther, are edited and made accessible. Since the 14th century, the “century of the layman-bible”, large parts of the Latin Vulgate and the accompanying exegetic and catechetic explanations have been increasingly translated into…
Medieval and early modern inscriptions crafted before 1650, in Latin and German language, situated in German-speaking areas are at the heart of this project. Inscriptions are significant and unique historical sources because they are often preserved in an authentic state and in their original setting. For the premodern era, script which was affixed to stone, wood, metal, glass as well as textiles…
The research project “Die frühbuddhistischen Handschriften aus Gandhāra: religiöse Literatur an der Schnittstelle von Indien, Zentralasien und China” was established in 2012. On the basis of philological and historical methods, it provides new insight into the early history of Buddhism on its way to becoming a world religion. The project studies manuscripts found in the 1990s in northern Pakistan…
The task of the project is to collect and edit the documents (diplomas and mandates) of Emperor Friedrich II († 1250) according to the guidelines of the “Monumenta Germania Historica”. It is the most comprehensive edition of the Diploma series with about 2,600 documents (original and copied pieces, without deperdita).
The project has the double dimension of the edition of the documents of Emperor…
The „Katalog der deutschsprachigen illustrierten Handschriften des Mittelalters", KdiH, (Catalogue of German-Language Illustrated Medieval Manuscripts) provides a basis for the text-image-research in the German lands. It focuses on the specific interplay and multi-facetted interdependencies of text and image. Art historians and textual scholars of German vernacular texts work hand in hand,…
The “Kritische Ausgabe der Werke von Richard Strauss”, financed by the Bavarian Academy of Sciences and Humanities, has been conducted since 2011 under the direction of Prof. Dr. Hartmut Schick at the Ludwig Maximilians University (LMU) in Munich. Cooperation partners are the Richard Strauss Institute and the Richard Strauss Archive in Garmisch-Partenkirchen as well as the LMU’s Humanities IT…
Orlando di Lasso (1530/1532-1594) was the most important composer of the 16th century. His oeuvre comprises more than 1300 compositions, about 480 prints from the years between 1555 and 1687 confirm his popularity and the unbroken performance tradition long after his death. He worked at the court of the Wittelsbach dukes Albrecht V. and Wilhelm V. (from 1557 as tenor and from 1563 until his death…
Friedrich Wilhelm Joseph von Schelling (1775-1854) is with Fichte and Hegel one of the most important representatives of German Idealism. The Historical-Critical Edition of Schelling’s Works presents Schelling’s works, his posthumous papers, transcripts and letters in three series (I: published works, II: unpublished works and notes, III: Letters from and to Schelling). The edited texts are being…