The complete edition of Arnold Schönberg’s musical works has the task, to make the compositional œuvre of this composer accessible to the general public. Therefore, not only the final version of the works is published within the framework of this edition but also the early version and revisions of the composer; not only the completed composition but also the fragments; not only the final texts of…
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The Berliner Klassik project will examine whether an interdisciplinary reconstruction of Berlin's unusual cultural heyday between 1786 and 1815 can provide an alternative to the Weimar-Jenaic Classicism. To this end, known and less known works and events of this epoch will be related to their internal and external correspondence and oppositions, their socio-cultural prerequisites and their…
The project “Bernd Alois Zimmermann-Gesamtausgabe, Historisch-kritische Ausgabe seiner Werke, Schriften und Briefe”, jointly sponsored by the Berlin-Brandenburg Academy of Sciences and Humanities and the Academy of Sciences and Literature, Mainz, is the first musicological edition project for music after 1945.
The project, which was developed in close cooperation with the music archive of the…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
Ceiling and mural paintings are constitutive elements in the design of baroque interiors. Unlike all other forms of pictorial art, these truly three-dimensional artistic media define early modern architecture literally from above, through colourful and complex iconographic programmes: in ecclesiastical as well as secular environments, in residential palaces and ceremonial halls, churches and…
The project is dedicated to the research and edition of the music-historically significant, editorially untapped stock of the monodic, ecclesial, and secular music of the European Middle Ages with Latin text. Until the end of the Middle Ages, the music of Europe was determined by Monophony. The permanent abandonment of Monophony and the new concept of the polyphonic compositions constitute the…
The “Corpus Vitrearum Medii Aevi Deutschland” (CVMA) is part of the international “Corpus Vitrearum”, which was founded in 1952 to document and scientifically develop the entire inventory of medieval stained glass in Europe as well as in museums in the USA and Canada. The project's tasks are to set up an inventory and to document the medieval as well as the post-medieval glass paintings and their…
The DaSCH is a data and service centre for research data in the humanities, which the Swiss Academy of Humanities and Social Sciences has been operating since 2017 as a national institution in cooperation with the University of Basel. The central coordination office is located at the Digital Humanities Lab of the University of Basel under the direction of Prof. Dr. Lukas Rosenthaler. For the first…
Medieval and early modern inscriptions crafted before 1650, in Latin and German language, situated in German-speaking areas are at the heart of this project. Inscriptions are significant and unique historical sources because they are often preserved in an authentic state and in their original setting. For the premodern era, script which was affixed to stone, wood, metal, glass as well as textiles…
Robert and Clara Schumann: The great pair of musicians of German romanticism has left a lasting impression on the cultural history of the 19th century. The contacts to almost all the important musicians of the time, but also to poets and painters, to publishers, to friends, and family members are reflected in an extensive correspondence, about which Robert Schumann kept meticulous books. As a…
The project “Edition of the Exchange of Letters by Johann Christoph Gottsched” started its work in 2000 and aims to record and publish all the letters handed down from and to Gottsched (approx. 6,000 letters, full text edition in chronological order). The letters to and from Gottsched’s wife Luise Adelgunde Victorie are also taken into account.
The aim of the project of the Saxon Academy of Sciences “Europäische Traditionen - Enzyklopädie jüdischer Kulturen” is the development and conceptual penetration of Jewish life worlds in Europe from the early modern period to the middle of the 20th century. It is based on the “Encyclopedia of Jewish History and Culture”. Completed in 2017, the work, which contains around 800 articles in seven…
The main objective of the research work is the comprehensive collection and preparation of archival and musical sources on the social and institutional history of the Southwest German court chapels. Comparative institutional-historical questions in the pan-European context as well as stylistic-critical studies on the compositional practice of court and nobility orchestras, studies on their role in…
The project’s aim is to present Gluck’s complete works in a critical historical edition for science and musical practice. These include the notated music with its text-critical annotation and extensive information about the work history and the contemporary reception; likewise facsimiles of the textbooks are printed in the respective volume. Gluck’s oeuvre, rarely maintained in the autograph,…
Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
The “Hallische Händel-Ausgabe” is a critical complete edition of Händel’s oevre based on all known sources. It is made for theoretical and practical use. The Editorial Board is put together internationally. Each volume contains an introduction that consists of the origin history, the works’ heritage, and a discussion of performance questions. In each edition of vocal works there is a German and,…
The art historian Heinrich Wölfflin (1864-1945) is one of the most influential international authors in the field to this day. On the occasion of the centenary of the principles (Grundbegtriffe) of art history, Heinrich Wölfflin's collected works are published under the direction of Prof. Dr. Tristan Weddigen and Prof. Dr. Oskar Bätschmann. The fourteen-volume edition will be published by Schwabe…
The aim of histHub is to establish and operate a research platform for the historical sciences. The platform manages authority files on Swiss history on the one hand and, on the other, it develops digital tools for the networking of databases. With these two priorities, histHub pursues the overriding aim of improving the interoperability of research data in the field of historical sciences.
The life, work and character of the archaeologist and scholar Johann Joachim Winckelmann (1717-1768), who was born in Stendal and worked in Rome as of 1755, repeatedly offered cause for engagement and critical confrontation for archaeologists, art historians and literary scholars in the past. A scientific edition of the works of Winckelmann hasn’t existed until now. With financial support of the…