The complete edition of Arnold Schönberg’s musical works has the task, to make the compositional œuvre of this composer accessible to the general public. Therefore, not only the final version of the works is published within the framework of this edition but also the early version and revisions of the composer; not only the completed composition but also the fragments; not only the final texts of…
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The project “Bernd Alois Zimmermann-Gesamtausgabe, Historisch-kritische Ausgabe seiner Werke, Schriften und Briefe”, jointly sponsored by the Berlin-Brandenburg Academy of Sciences and Humanities and the Academy of Sciences and Literature, Mainz, is the first musicological edition project for music after 1945.
The project, which was developed in close cooperation with the music archive of the…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The festival texts are the most extensive but also the least investigated group of cuneiform texts from Hittite Anatolia. At the same time, among the ancient Near Eastern cultures, they also offer a uniquely dense documentation of the cult system and its state administration. The aim of the project is an editorial reconstruction of the corpus, accessible in the form of web-based text editions.…
The DaSCH is a data and service centre for research data in the humanities, which the Swiss Academy of Humanities and Social Sciences has been operating since 2017 as a national institution in cooperation with the University of Basel. The central coordination office is located at the Digital Humanities Lab of the University of Basel under the direction of Prof. Dr. Lukas Rosenthaler. For the first…
In light of the rapid decline of the dialectal linguistic competence especially in the north of the German language area it is the goal of the DMW, by means of a first systematic survey of current data, to document and analyse the still tangible stocks of the dialects or the manner of speaking with the maximal variation from standard of two generations of speakers in the Midwest of Germany.…
The aim of the research project “Grammatiken, Korpora und Sprachtechnologie für indigene nordeurasische Sprachen (INEL)” (Grammatical Descriptions, Corpora and Language Technology for Indigenous Northern Eurasian Languages) is the documentation of endangered languages. The north Eurasian area is of great interest for linguists from all over the world. The diversity of the indigenous languages…
Infoclio.ch was born from an initiative of the Swiss Historical Society (SSH) and of the Swiss Academy of Humanities and Social Sciences (ASSH). Its objectives are to develop a digital infrastructure for the historical sciences in Switzerland, to coordinate the principal players and institutions, to increase the visibility of Swiss historical research in the digital context, and to facilitate…
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
Niklas Luhmann (1927-1998) is, apart from Max Weber, the most important German sociologist of the 20th century. His social theory and theory of society, continuously developed over a period of 30 years, is internationally outstanding. The extensive body of Luhmann’s literary estate, which the University of Bielefeld was able to acquire in 2010, sheds light on the author and the edifice of his…
The Swiss Institute for Art Research (SIK-ISEA) offers a unique wealth of scientifically sound information on historical and contemporary Swiss art as Open Access on the Internet. These online services include the four-language "SIKART Lexicon of Art in Switzerland" (www.sikart.ch), various electronic catalogues raisonnés of prominent Swiss artists and digitised documents from the Swiss Art…
The objective of the project is to remedy two of the most serious desiderata from the long history of the research of the German language:
The German dialects have been investigated intensively for 180 years (Schmeller 1821). For the “modern regional languages”, i.e. the linguistic variation areas, which present the spoken everyday language of most of the members of the linguistic community in…
The Swiss Idioticon is an institute for the research and documentation of the German language and its dialects in Switzerland. Its main task is the development of the dictionary of the Swiss-German language (Swiss Idiotikon) in printed and digital form. This work describes Alemannic vocabulary in Switzerland from the late Middle Ages to the 21st century. It is the largest regional dictionary in…
Uwe Johnson (1934-1984) is one of the most important authors of German in the era of two-state identity. His novels tell of German history in a context far beyond Germany. With his essays and articles, Johnson developed the position of a “public intellectual”. His highly literary correspondence is on an equal footing with the literary work, commenting critically on post-war history in an…