The list has 11 entrie(s). Displaying entries 1 to 11.
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The aim of the project is…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
The goal of the project is the publication of the first critical scientific complete edition of the works of Joseph Haydn. The edition, with its planned 108 volumes, comprises 32 series (two more are planned as supplements and registers). Within each series, the works will be arranged chronologically if possible. Furthermore, the Haydn-studies will be published, which, among other things, include…
The “Neue Schubert-Ausgabe” is a scholarly critical edition of all musical works of Franz Schubert (1797-1828). Its 84 volumes are classified in eight series according to groups of works and include a catalogue of works, documents concerning the biography, and catalogues of sources. Each volume lists the most important sources and interpretations, and is completed by a separate critical report.…
The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.
In total, 16 works of different genres…
The collection of sources provides an extensive documentation on the beginnings and fundamentals of the modern German welfare state during the time of the German empire. It encompasses 32 (with half-volumes: 34) volumes, all of whom have been published already. The edition contains archival and journalistic sources concerning plans and measures of the empire, it’s individual states, the cities,…
During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…
The project „Robert Schumann's Poetic World (RSPW): Drama - Oratorio - Vocal Symphony - Literary Work: an historical-critical hybrid edition“ being carried out jointly within the Akademienprogramm by the Sächsische Akademie der Wissenschaften in Leipzig, the Akademie der Wissenschaften und der Literatur, Mainz, and the Bayerische Akademie der Wissenschaften in Munich, is an interdisciplinary…
The “Neue Robert-Schumann-Gesamtausgabe (RSA)” considers itself as historical-critical complete edition. In doing so it wants to be embedded in the historical facticity of the authentic sources. The principle is text production faithful to the sources. In accordance with the state of the art musicological editorial-technology, all compositions are carefully processed and presented as a whole.…
Max Reger (1873-1916) has left us, both in terms of expansiveness and complexity, with a monumental oeuvre. Apart from operas, his works encompasses all contemporaneous genres – chamber music, piano compositions, choirs, orchestral pieces and choir symphonies. Especially remarkable are, for a designated pioneer of new music, his work with organs as well as his revisions of other composers’ works,…