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The complete edition of Arnold Schönberg’s musical works has the task, to make the compositional œuvre of this composer accessible to the general public. Therefore, not only the final version of the works is published within the framework of this edition but also the early version and revisions of the composer; not only the completed composition but also the fragments; not only the final texts of…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The project is dedicated to the research and edition of the music-historically significant, editorially untapped stock of the monodic, ecclesial, and secular music of the European Middle Ages with Latin text. Until the end of the Middle Ages, the music of Europe was determined by Monophony. The permanent abandonment of Monophony and the new concept of the polyphonic compositions constitute the…
Written sources are – like art and buildings – integral parts of the cultural heritage, whose preservation, indexing and provision are central social duties. The knowledge of the past is principally based on texts, that more or less accidentally escaped destruction. These records preserve the knowledge, the faith, the tales, the visions and dreams of the people. They give testimony of past…
LEI aims to document and etymologically comment on the entire vocabulary of Italoromania from a historical perspective. The project was founded in 1968 by Max Pfister. Since 2001 it has been managed by Max Pfister together with Wolfgang Schweickard. So far, 16 large-format volumes have been published. The LEI can also be accessed online via open access at a later date than the print output. LEI…
The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.
In total, 16 works of different genres…