The list has 18 entrie(s). Displaying entries 1 to 18.

Altägyptische Kursivschriften. Digitale Paläographie und systematische Analyse des Hieratischen und der Kursivhieroglyphen

The subject of the interdisciplinary project, which combines egyptological research with methods from computer philology, consists of the ancient Egyptian scripts called Hieratic and cursive hieroglyphic script, both having been used alongside monumental hieroglyphic script for over 3000 years. The inventory of signs taken from selected texts is systematically and digitally recorded with different…

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Beethovens Werkstatt. Genetische Textkritik und Digitale Musikedition

By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.

The aim of the project is…

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Carl-Maria-von-Weber-Gesamtausgabe. Sämtliche Werke, Tagebücher, Briefe und Schriften

The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…

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Con­tro­ver­sia et Con­fes­sio. Quellenedition zu Bekenntnisbildung und Konfessionalisierung (1548–1580)

For the first time, the research and edition project “Controversia et Confessio” systematically reappraises the theological controversies triggered by the Augsburg Interim and the Leipzig Alternative Draft of 1548, which could only be largely resolved by the large-scale theological unification of the Conoria Formula and the Konkordienbuch 1577/80. In these disputes, an early modern “culture of…

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Corpus monodicum. Die einstimmige Musik des lateinischen Mittelalters

The project is dedicated to the research and edition of the music-historically significant, editorially untapped stock of the monodic, ecclesial, and secular music of the European Middle Ages with Latin text. Until the end of the Middle Ages, the music of Europe was determined by Monophony. The permanent abandonment of Monophony and the new concept of the polyphonic compositions constitute the…

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Corpus Vitrearum Medii Aevi

The “Corpus Vitrearum Medii Aevi Deutschland” (CVMA) is part of the international “Corpus Vitrearum”, which was founded in 1952 to document and scientifically develop the entire inventory of medieval stained glass in Europe as well as in museums in the USA and Canada. The project's tasks are to set up an inventory and to document the medieval as well as the post-medieval glass paintings and their…

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Deutsche Inschriften des Mittelalters und der Frühen Neuzeit

Medieval and early modern inscriptions crafted before 1650, in Latin and German language, situated in German-speaking areas are at the heart of this project. Inscriptions are significant and unique historical sources because they are often preserved in an authentic state and in their original setting. For the premodern era, script which was affixed to stone, wood, metal, glass as well as textiles…

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Die Schule von Salamanca. Eine digitale Quellensammlung und ein Wörterbuch ihrer juristisch-politischen Sprache

The School of Salamanca or “Spanish late scholasticism” of the 16th and early 17th centuries is one of the most influential epochs of early modern European thought because of its importance for jurisprudence and political philosophy. The project has two objectives: Firstly, to digitally record and present the central texts of the “School of Salamanca” in an overall corpus that follows uniform…

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Forschungskontinuität und Kontinuitätsforschung. Siedlungsarchäologische Grundlagenforschung zur Eisenzeit im Baltikum

The reciprocal word pair “Forschungskontinuität und Kontinuitätsforschung” (continuity of research and research of continuity) in the project-title outlines the significant difficulties and opportunities of the traditional, but not unproblematic history of the archaeological sciences in landscapes, that are very rich in findings and important for the development of northern and eastern Europe.…

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Gluck-Gesamtausgabe

The project’s aim is to present Gluck’s complete works in a critical historical edition for science and musical practice. These include the notated music with its text-critical annotation and extensive information about the work history and the contemporary reception; likewise facsimiles of the textbooks are printed in the respective volume. Gluck’s oeuvre, rarely maintained in the autograph,…

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Hallische Händel-Ausgabe

The “Hallische Händel-Ausgabe” is a critical complete edition of Händel’s oevre based on all known sources. It is made for theoretical and practical use. The Editorial Board is put together internationally. Each volume contains an introduction that consists of the origin history, the works’ heritage, and a discussion of performance questions. In each edition of vocal works there is a German and,…

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Handschriftencensus (HSC). Kompetenzzentrum ’Deutschsprachige Handschriften des Mittelalters’

Written sources are – like art and buildings – integral parts of the cultural heritage, whose preservation, indexing and provision are central social duties. The knowledge of the past is principally based on texts, that more or less accidentally escaped destruction. These records preserve the knowledge, the faith, the tales, the visions and dreams of the people. They give testimony of past…

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Leichenpredigten der Frühen Neuzeit - Thüringen

Printed eulogies or funeral sermons dating back to the two centuries between 1550 and 1750, gained huge significance regarding the exploration of Early Modern history next to its initial form as funeral sermons of the Protestant upper- and middleclass. The eulogies contain more or less extensive biographies and therefore constitute one of the most meaningful types of historical sources…

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Lessico Etimologico Italiano

LEI aims to document and etymologically comment on the entire vocabulary of Italoromania from a historical perspective. The project was founded in 1968 by Max Pfister. Since 2001 it has been managed by Max Pfister together with Wolfgang Schweickard. So far, 16 large-format volumes have been published. The LEI can also be accessed online via open access at a later date than the print output. LEI…

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Neue Schubert-Ausgabe

The “Neue Schubert-Ausgabe” is a scholarly critical edition of all musical works of Franz Schubert (1797-1828). Its 84 volumes are classified in eight series according to groups of works and include a catalogue of works, documents concerning the biography, and catalogues of sources. Each volume lists the most important sources and interpretations, and is completed by a separate critical report.…

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Répertoire International des Sources Musicales (RISM, Zentralredaktion)

The International Inventory of Musical Sources - Répertoire International des Sources Musicales (RISM) - is an international, non-profit organization which aims for comprehensive documentation of extant musical sources worldwide. These primary sources are manuscripts or printed music, writings on music theory, and libretti. They are housed in libraries, archives, monasteries, schools and private…

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Richard Wagner Schriften. Historisch-kritische Gesamtausgabe

During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…

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Wissenschaftlich-kritische Herausgabe von Werken Max Regers

Max Reger (1873-1916) has left us, both in terms of expansiveness and complexity, with a monumental oeuvre. Apart from operas, his works encompasses all contemporaneous genres – chamber music, piano compositions, choirs, orchestral pieces and choir symphonies. Especially remarkable are, for a designated pioneer of new music, his work with organs as well as his revisions of other composers’ works,…

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