The subject of the interdisciplinary project, which combines egyptological research with methods from computer philology, consists of the ancient Egyptian scripts called Hieratic and cursive hieroglyphic script, both having been used alongside monumental hieroglyphic script for over 3000 years. The inventory of signs taken from selected texts is systematically and digitally recorded with different…
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The project “Bernd Alois Zimmermann-Gesamtausgabe, Historisch-kritische Ausgabe seiner Werke, Schriften und Briefe”, jointly sponsored by the Berlin-Brandenburg Academy of Sciences and Humanities and the Academy of Sciences and Literature, Mainz, is the first musicological edition project for music after 1945.
The project, which was developed in close cooperation with the music archive of the…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The project “Corpus der Quellen zur mittelalterlichen Geschichte der Juden im Reichsgebiet” is aimed to register all relevant temporal and spatially fixed sources of the history of the Jews in the region of the Roman-German empire for the period from 1273 to 1519 chronologically and to make it available online – depending on the edition – in the form of full texts or regesta. It therefore strives…
The “Corpus Vitrearum Medii Aevi Deutschland” (CVMA) is part of the international “Corpus Vitrearum”, which was founded in 1952 to document and scientifically develop the entire inventory of medieval stained glass in Europe as well as in museums in the USA and Canada. The project's tasks are to set up an inventory and to document the medieval as well as the post-medieval glass paintings and their…
The festival texts are the most extensive but also the least investigated group of cuneiform texts from Hittite Anatolia. At the same time, among the ancient Near Eastern cultures, they also offer a uniquely dense documentation of the cult system and its state administration. The aim of the project is an editorial reconstruction of the corpus, accessible in the form of web-based text editions.…
Medieval and early modern inscriptions crafted before 1650, in Latin and German language, situated in German-speaking areas are at the heart of this project. Inscriptions are significant and unique historical sources because they are often preserved in an authentic state and in their original setting. For the premodern era, script which was affixed to stone, wood, metal, glass as well as textiles…
The School of Salamanca or “Spanish late scholasticism” of the 16th and early 17th centuries is one of the most influential epochs of early modern European thought because of its importance for jurisprudence and political philosophy. The project has two objectives: Firstly, to digitally record and present the central texts of the “School of Salamanca” in an overall corpus that follows uniform…
The reciprocal word pair “Forschungskontinuität und Kontinuitätsforschung” (continuity of research and research of continuity) in the project-title outlines the significant difficulties and opportunities of the traditional, but not unproblematic history of the archaeological sciences in landscapes, that are very rich in findings and important for the development of northern and eastern Europe.…
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
The task of the project is the acquisition of sources in Germany from approx. 1600 to the middle of the 19th century, which are important for the music research. There are two departments in the German workgroup of RISM which regionally split up the source acquisition, on the one hand at the Saxon State and University Library Dresden and on the other hand at the Bavarian State Library.