The binational research project “Arthur Schnitzler digital. Digitale historisch-kritische Edition (Werke 1905 bis 1931)” is carried out by scientists of the Bergische University Wuppertal, the University of Cambridge, the University College London, and the University of Bristol in cooperation with the Cambridge University Library, the German literary archive Marbach, and the Trier Centre for…
The Aristotle annotations of Ibn Rušd or Averroes (1126–1198) form a total of the Arabic reception of the Greek philosophy and from the Late Antiquity. As such, they have had a formative influence on the respective discourses of knowledge, especially in their Latin and Hebrew translations over the centuries. The project deals with an yet unexplored part of Ibn Rušd’s natural philosophy, which at…
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
Medieval and early modern inscriptions crafted before 1650, in Latin and German language, situated in German-speaking areas are at the heart of this project. Inscriptions are significant and unique historical sources because they are often preserved in an authentic state and in their original setting. For the premodern era, script which was affixed to stone, wood, metal, glass as well as textiles…
The research project “Die frühbuddhistischen Handschriften aus Gandhāra: religiöse Literatur an der Schnittstelle von Indien, Zentralasien und China” was established in 2012. On the basis of philological and historical methods, it provides new insight into the early history of Buddhism on its way to becoming a world religion. The project studies manuscripts found in the 1990s in northern Pakistan…
Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
Das Forschungsprojekt Johann Caspar Lavater – Historisch-kritische Edition ausgewählter Briefwechsel (JCLB) digitalisiert und erfasst den Bestand der weit über 20'000 Briefe von und an Lavater, um in einer Web-basierten Online-Edition davon ausgewählte Briefwechsel zu edieren und Lavaters gesamte Korrespondenz erstmals synoptisch in ihrer ganzen Komplexität und ihrem Umfang für die Forschung zu…
The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.