The list has 7 entrie(s). Displaying entries 1 to 7.

Arnold Schönberg-Gesamtausgabe

The complete edition of Arnold Schönberg’s musical works has the task, to make the compositional œuvre of this composer accessible to the general public. Therefore, not only the final version of the works is published within the framework of this edition but also the early version and revisions of the composer; not only the completed composition but also the fragments; not only the final texts of…

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Beethovens Werkstatt. Genetische Textkritik und Digitale Musikedition

By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.

The aim of the project is…

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Bernd Alois Zimmermann-Gesamtausgabe. Historisch-kritische Ausgabe seiner Werke, Schriften und Briefe

The project “Bernd Alois Zimmermann-Gesamtausgabe, Historisch-kritische Ausgabe seiner Werke, Schriften und Briefe”, jointly sponsored by the Berlin-Brandenburg Academy of Sciences and Humanities and the Academy of Sciences and Literature, Mainz, is the first musicological edition project for music after 1945.

The project, which was developed in close cooperation with the music archive of the…

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Carl-Maria-von-Weber-Gesamtausgabe. Sämtliche Werke, Tagebücher, Briefe und Schriften

The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…

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Richard Wagner Schriften. Historisch-kritische Gesamtausgabe

During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…

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Wissenschaftlich-kritische Herausgabe von Werken Max Regers

Max Reger (1873-1916) has left us, both in terms of expansiveness and complexity, with a monumental oeuvre. Apart from operas, his works encompasses all contemporaneous genres – chamber music, piano compositions, choirs, orchestral pieces and choir symphonies. Especially remarkable are, for a designated pioneer of new music, his work with organs as well as his revisions of other composers’ works,…

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