By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
Ceiling and mural paintings are constitutive elements in the design of baroque interiors. Unlike all other forms of pictorial art, these truly three-dimensional artistic media define early modern architecture literally from above, through colourful and complex iconographic programmes: in ecclesiastical as well as secular environments, in residential palaces and ceremonial halls, churches and…
The project “Johann Friedrich Blumenbach –Online” (www.blumenbach-online.de) aims at making the rise of German science within the European context visible, and at supplying a missing part in accessible primary source material on the cultural history of the time: the publications of Johann Friedrich Blumenbach. This is particularly significant with regard to an essential aspect of this period: the…
The Leipzig edition of Felix Mendelssohn Bartholdy’s works is intended to make all accessible compositions, letters and writings as well as all other documents of his artistic work available to the public in a scientifically appropriate form. As a historical-critical edition, it aims to serve research and musical practice in equal measure. The issue is published in 13 series. Approximately 80…
The Royal Prussian Academy of Sciences started with a complete edition of the writings of Immanuel Kant in 1894, which is published in the sections “work”, “correspondence”, “handwritten literary remains” and “lectures” since 1900. The project will complete the edition by reediting or revising the sections “work” and “correspondence”, by filling up essential lacunae and by correcting plenty of…
The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.
The staff of the project “Turfanforschung” edits central Iranian and old Turkic texts from the Turfanian text corpus (Turfansammlung). The texts of the “Turfansammlung” originated from the Central Asian oases along the silk road and date from the 7th to the 14th century CE. In the year 1902, the former Prussian Academy of Sciences received a considerable amount of texts from an expedition to East…