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The DaSCH is a data and service centre for research data in the humanities, which the Swiss Academy of Humanities and Social Sciences has been operating since 2017 as a national institution in cooperation with the University of Basel. The central coordination office is located at the Digital Humanities Lab of the University of Basel under the direction of Prof. Dr. Lukas Rosenthaler. For the first…
In light of the rapid decline of the dialectal linguistic competence especially in the north of the German language area it is the goal of the DMW, by means of a first systematic survey of current data, to document and analyse the still tangible stocks of the dialects or the manner of speaking with the maximal variation from standard of two generations of speakers in the Midwest of Germany.…
Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
The critical digital edition will…
Infoclio.ch was born from an initiative of the Swiss Historical Society (SSH) and of the Swiss Academy of Humanities and Social Sciences (ASSH).
Its objectives are to develop a digital infrastructure for the historical sciences in Switzerland, to coordinate the principal players and institutions, to increase the visibility of Swiss historical research in the digital context, and to facilitate…
The Arthurian novel 'Parzival' by Wolfram von Eschenbach is one of the most important poems of courtly literature around 1200. 1833's basic edition by Karl Lachmann, at the time an editorial masterpiece, can no longer meet current text-critical requirements, as it only takes into account a fraction of the sources known today and does not sufficiently document the variance of the medieval text. In…
The database documents the Hôtel de Musique's lively theatrical activity from 1766 to 1905, with a repertoire that includes theatre, opera, ballet, concerts and extraordinary events. The inventory provides a lively and colourful picture of Bernese theatre culture in the 19th century.
The project was developed in 2008 as part of a lecture on Bernese theatre history in the Seminar of Swiss Opera…