Ceiling and mural paintings are constitutive elements in the design of baroque interiors. Unlike all other forms of pictorial art, these truly three-dimensional artistic media define early modern architecture literally from above, through colourful and complex iconographic programmes: in ecclesiastical as well as secular environments, in residential palaces and ceremonial halls, churches and…
The project “Corpus der Quellen zur mittelalterlichen Geschichte der Juden im Reichsgebiet” is aimed to register all relevant temporal and spatially fixed sources of the history of the Jews in the region of the Roman-German empire for the period from 1273 to 1519 chronologically and to make it available online – depending on the edition – in the form of full texts or regesta. It therefore strives…
The “Corpus Vitrearum Medii Aevi Deutschland” (CVMA) is part of the international “Corpus Vitrearum”, which was founded in 1952 to document and scientifically develop the entire inventory of medieval stained glass in Europe as well as in museums in the USA and Canada. The project's tasks are to set up an inventory and to document the medieval as well as the post-medieval glass paintings and their…
In addition to Roman and canonical law, the Sachsenspiegel (reported in the Eastern Harz foreland between 1220 and 1235) and the famous town charter of Magdeburg (developed in the town of Magdeburg and decisively shaped by the spellings of the local court chair between the 13th and 15th centuries) form the common foundations of Central and Eastern European legal systems. Simultaneously with the…
The name of Dionysius the Areopagite refers to the Athenian, who according to Acts 17:34 was converted by St. Paul’s speech on the Areopagus and then followed him. The name was adopted by a prolific unknown author around 500 A.D., with a vast number of writings based on the tremendous influence of his synthesizing of neo-platonic philosophy and Christian theology. The manuscript tradition is a…