The complete edition of Arnold Schönberg’s musical works has the task, to make the compositional œuvre of this composer accessible to the general public. Therefore, not only the final version of the works is published within the framework of this edition but also the early version and revisions of the composer; not only the completed composition but also the fragments; not only the final texts of…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The project is dedicated to the research and edition of the music-historically significant, editorially untapped stock of the monodic, ecclesial, and secular music of the European Middle Ages with Latin text. Until the end of the Middle Ages, the music of Europe was determined by Monophony. The permanent abandonment of Monophony and the new concept of the polyphonic compositions constitute the…
The research and edition project on the Fruitbearing Society (1617-1680; 890 members) is dedicated to an organisation that, as a comprehensive German Academy of the 17th century, was linked to a variety of linguistic, literary, scholarly, and (educational) political ambitions. Their work is inherent in national and European perspectives, which remained productive until the Enlightenment.
The letters of Philipp Jakob Spener (1635-1705), the founder of Lutheran Pietism, are not only first-rate sources for research on the beginnings of Pietism, the most important renewal movement of Protestantism since the Reformation, but also for the church and cultural history of the early modern period. Some of them are handwritten records and can be found in archives and libraries far beyond…
Robert and Clara Schumann: The great pair of musicians of German romanticism has left a lasting impression on the cultural history of the 19th century. The contacts to almost all the important musicians of the time, but also to poets and painters, to publishers, to friends, and family members are reflected in an extensive correspondence, about which Robert Schumann kept meticulous books. As a…
The „Goethe-Wörterbuch“ is a dictionary that analyses the use of words in the texts of a single author, presenting Goethe’s entire vocabulary in alphabetical order. On the basis of approximately three million archive slips on about 90.000 headwords, it displays their multiple usage in systematically structured entries, with selected quotations to verify and illustrate the differentiated meanings.…
The Leipzig edition of Felix Mendelssohn Bartholdy’s works is intended to make all accessible compositions, letters and writings as well as all other documents of his artistic work available to the public in a scientifically appropriate form. As a historical-critical edition, it aims to serve research and musical practice in equal measure. The issue is published in 13 series. Approximately 80…
The Marx-Engels-Gesamtausgabe (MEGA) is the historical-critical edition of all publications, manuscripts, and drafts as well as the correspondence of Karl Marx and Friedrich Engels. For the first time, work and legacy are documented here in their entirety and in authentic form, such as manuscripts on “German ideology” and “capital”. Furthermore, previously unknown journalistic contributions by…
Friedrich Nietzsche (1844-1900) numbers among the central and most influential philosophers of Western intellectual history. Indeed, his works are now considered to be generally fundamental to modern thought’s self-conception. His global influence upon philosophy, literature, anthropology, psychology, and criticism of religion and culture can hardly be underestimated.
The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.
The name of Dionysius the Areopagite refers to the Athenian, who according to Acts 17:34 was converted by St. Paul’s speech on the Areopagus and then followed him. The name was adopted by a prolific unknown author around 500 A.D., with a vast number of writings based on the tremendous influence of his synthesizing of neo-platonic philosophy and Christian theology. The manuscript tradition is a…
During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…
Uwe Johnson (1934-1984) is one of the most important authors of German in the era of two-state identity. His novels tell of German history in a context far beyond Germany. With his essays and articles, Johnson developed the position of a “public intellectual”. His highly literary correspondence is on an equal footing with the literary work, commenting critically on post-war history in an…