The subject of the interdisciplinary project, which combines egyptological research with methods from computer philology, consists of the ancient Egyptian scripts called Hieratic and cursive hieroglyphic script, both having been used alongside monumental hieroglyphic script for over 3000 years. The inventory of signs taken from selected texts is systematically and digitally recorded with different…
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The project “Bernd Alois Zimmermann-Gesamtausgabe, Historisch-kritische Ausgabe seiner Werke, Schriften und Briefe”, jointly sponsored by the Berlin-Brandenburg Academy of Sciences and Humanities and the Academy of Sciences and Literature, Mainz, is the first musicological edition project for music after 1945.
The project, which was developed in close cooperation with the music archive of the…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The project “Corpus der Quellen zur mittelalterlichen Geschichte der Juden im Reichsgebiet” is aimed to register all relevant temporal and spatially fixed sources of the history of the Jews in the region of the Roman-German empire for the period from 1273 to 1519 chronologically and to make it available online – depending on the edition – in the form of full texts or regesta. It therefore strives…
Medieval and early modern inscriptions crafted before 1650, in Latin and German language, situated in German-speaking areas are at the heart of this project. Inscriptions are significant and unique historical sources because they are often preserved in an authentic state and in their original setting. For the premodern era, script which was affixed to stone, wood, metal, glass as well as textiles…
The School of Salamanca or “Spanish late scholasticism” of the 16th and early 17th centuries is one of the most influential epochs of early modern European thought because of its importance for jurisprudence and political philosophy. The project has two objectives: Firstly, to digitally record and present the central texts of the “School of Salamanca” in an overall corpus that follows uniform…
At the Academy of Sciences and Literature in Mainz and in cooperation with the Technical University of Darmstadt, a digital dictionary of surnames is being developed. For the first time, this dictionary records all currently existing family names Germany (also foreign names) lexicographically, maps them and etymologizes them with the help of maps.
The reciprocal word pair “Forschungskontinuität und Kontinuitätsforschung” (continuity of research and research of continuity) in the project-title outlines the significant difficulties and opportunities of the traditional, but not unproblematic history of the archaeological sciences in landscapes, that are very rich in findings and important for the development of northern and eastern Europe.…
The project’s aim is to present Gluck’s complete works in a critical historical edition for science and musical practice. These include the notated music with its text-critical annotation and extensive information about the work history and the contemporary reception; likewise facsimiles of the textbooks are printed in the respective volume. Gluck’s oeuvre, rarely maintained in the autograph,…
The “Hallische Händel-Ausgabe” is a critical complete edition of Händel’s oevre based on all known sources. It is made for theoretical and practical use. The Editorial Board is put together internationally. Each volume contains an introduction that consists of the origin history, the works’ heritage, and a discussion of performance questions. In each edition of vocal works there is a German and,…
Written sources are – like art and buildings – integral parts of the cultural heritage, whose preservation, indexing and provision are central social duties. The knowledge of the past is principally based on texts, that more or less accidentally escaped destruction. These records preserve the knowledge, the faith, the tales, the visions and dreams of the people. They give testimony of past…
Hans Kelsen (1881-1973), a scientist of Jewish origin born in the Austro-Hungarian Empire and driven out of Germany by the Nazis in 1933, who found his new home in exile in the USA, is still one of the most debated legal theorists on a global scale more than 40 years after his death. He is one of the very few jurists who have gained worldwide recognition outside their German-speaking circle and…
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
Printed eulogies or funeral sermons dating back to the two centuries between 1550 and 1750, gained huge significance regarding the exploration of Early Modern history next to its initial form as funeral sermons of the Protestant upper- and middleclass. The eulogies contain more or less extensive biographies and therefore constitute one of the most meaningful types of historical sources…
The “Neue Schubert-Ausgabe” is a scholarly critical edition of all musical works of Franz Schubert (1797-1828). Its 84 volumes are classified in eight series according to groups of works and include a catalogue of works, documents concerning the biography, and catalogues of sources. Each volume lists the most important sources and interpretations, and is completed by a separate critical report.…
The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.