The list has 7 entrie(s). Displaying entries 1 to 7.
For some years now, research has turned increasingly to the history of the European monarchy. Only recently, the theory of a continuous decline of the monarchy since the French Revolution of 1789 was fundamentally challenged. The monarchies had been a historical phenomenon of previously underestimated flexibility and efficiency, which was able to assert itself in the age of constitutionalism and…
The systematic research into the Ethiopian manuscript culture is the aim of the long-term project “Die Schriftkultur des christlichen Äthiopiens und Eritreas: Eine multimediale Forschungsumgebung” (“Beta maṣāḥǝft: Manuscripts of Ethiopia and Eritrea”). Ethiopia and Eritrea are situated, from the perspective of cultural history, both at the periphery of the so-called Christian Orient and in the…
With its scope and diverse subject matter, Arabic literature is one of the richest in the world. Beginning in the 7th century CE, it blossomed within a civilization characterized by a vast network of cultural traditions and ties that were shaped by Islam. Like the Akkadian and Chinese literatures, Arabic literature is an ancient and erudite archive of knowledge. Until well into the 19th century,…
Over a period of three centuries - from the first half of the 16th century until 1806 - the imperial Aulic Council was one of the most important institutions of the Holy Roman Empire of the German Nation. As high court, supreme feudal house, administration institution of the imperial privileges and as political advisory body of the emperor the institution shaped the destiny of Central Europe in…
The aim of the project of the Saxon Academy of Sciences “Europäische Traditionen - Enzyklopädie jüdischer Kulturen” is the development and conceptual penetration of Jewish life worlds in Europe from the early modern period to the middle of the 20th century. It is based on the “Encyclopedia of Jewish History and Culture”. Completed in 2017, the work, which contains around 800 articles in seven…
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
The objective of the project is to remedy two of the most serious desiderata from the long history of the research of the German language: