The binational research project “Arthur Schnitzler digital. Digitale historisch-kritische Edition (Werke 1905 bis 1931)” is carried out by scientists of the Bergische University Wuppertal, the University of Cambridge, the University College London, and the University of Bristol in cooperation with the Cambridge University Library, the German literary archive Marbach, and the Trier Centre for…
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The Swiss Institute for Art Research (SIK-ISEA) offers a unique wealth of scientifically sound information on historical and contemporary Swiss art as Open Access on the Internet. These online services include the four-language "SIKART Lexicon of Art in Switzerland" (www.sikart.ch), various electronic catalogues raisonnés of prominent Swiss artists and digitised documents from the Swiss Art…