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Averroes (Ibn Rušd) und die arabische, hebräische und lateinische Rezeption der aristotelischen Naturphilosophie

The Aristotle annotations of Ibn Rušd or Averroes (1126–1198) form a total of the Arabic reception of the Greek philosophy and from the Late Antiquity. As such, they have had a formative influence on the respective discourses of knowledge, especially in their Latin and Hebrew translations over the centuries. The project deals with an yet unexplored part of Ibn Rušd’s natural philosophy, which at…

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Corpus der barocken Deckenmalerei in Deutschland. Erfassung, Analyse und digitale Publikation der architekturgebundenen Malerei auf dem Gebiet der Bundesrepublik Deutschland (ca. 1550–1800)

Ceiling and mural paintings are constitutive elements in the design of baroque interiors. Unlike all other forms of pictorial art, these truly three-dimensional artistic media define early modern architecture literally from above, through colourful and complex iconographic programmes: in ecclesiastical as well as secular environments, in residential palaces and ceremonial halls, churches and…

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Wissenschaftlich-kritische Herausgabe von Werken Max Regers

Max Reger (1873-1916) has left us, both in terms of expansiveness and complexity, with a monumental oeuvre. Apart from operas, his works encompasses all contemporaneous genres – chamber music, piano compositions, choirs, orchestral pieces and choir symphonies. Especially remarkable are, for a designated pioneer of new music, his work with organs as well as his revisions of other composers’ works,…

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