By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
Robert and Clara Schumann: The great pair of musicians of German romanticism has left a lasting impression on the cultural history of the 19th century. The contacts to almost all the important musicians of the time, but also to poets and painters, to publishers, to friends, and family members are reflected in an extensive correspondence, about which Robert Schumann kept meticulous books. As a…
Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
Karl Jaspers (1883-1969) counts among the most significant 20th century philosophers of the German language. Having earned a doctorate in medicine and a second degree (habilitation) in psychology, he held a professorial chair of philosophy at the University of Heidelberg until his dismissal by the National Socialist regime in 1937. In 1948, Jaspers followed a call to a chair at the University of…
During the project period of six years, it is planned on the one hand to publish the complete edition of Albrecht von Haller's reviews (including more than 9'000 in the leading German-language review organ Göttingische Gelehrte Anzeigen) as a central, but still largely unknown part of his oeuvre. On the other hand, a well-founded selection of approximately 8,000 letters related to the content of…