For some years now, research has turned increasingly to the history of the European monarchy. Only recently, the theory of a continuous decline of the monarchy since the French Revolution of 1789 was fundamentally challenged. The monarchies had been a historical phenomenon of previously underestimated flexibility and efficiency, which was able to assert itself in the age of constitutionalism and…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The German-Swiss edition project "Der späte Nietzsche" publishes Friedrich Nietzsche's late estate for the first time in its entirety and true to the manuscript. Since 2001, the manuscript edition has been published as the ninth section (KGW IX) in the Critical Complete Edition of the Works, founded by Giorgio Colli and Mazzino Montinari. In addition, the outstanding manuscripts are published in a…
The project “Johann Friedrich Blumenbach –Online” (www.blumenbach-online.de) aims at making the rise of German science within the European context visible, and at supplying a missing part in accessible primary source material on the cultural history of the time: the publications of Johann Friedrich Blumenbach. This is particularly significant with regard to an essential aspect of this period: the…
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
The “Kritische Ausgabe der Werke von Richard Strauss”, financed by the Bavarian Academy of Sciences and Humanities, has been conducted since 2011 under the direction of Prof. Dr. Hartmut Schick at the Ludwig Maximilians University (LMU) in Munich. Cooperation partners are the Richard Strauss Institute and the Richard Strauss Archive in Garmisch-Partenkirchen as well as the LMU’s Humanities IT…
During the project period of six years, it is planned on the one hand to publish the complete edition of Albrecht von Haller's reviews (including more than 9'000 in the leading German-language review organ Göttingische Gelehrte Anzeigen) as a central, but still largely unknown part of his oeuvre. On the other hand, a well-founded selection of approximately 8,000 letters related to the content of…
“It is only on the step, in the gateway, the entrance, the vestibule, the space between the outside and the inner chamber, between the sacred and the common, that we may ordinarily tarry with our friends.”
With these words Goethe paraphrases the title of his journal “Propylaea”, which he edited from 1798 to 1800. The title is a programmatic statement: the journal is meant to be a place of…
During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…
Friedrich Wilhelm Joseph von Schelling (1775-1854) is with Fichte and Hegel one of the most important representatives of German Idealism. The Historical-Critical Edition of Schelling’s Works presents Schelling’s works, his posthumous papers, transcripts and letters in three series (I: published works, II: unpublished works and notes, III: Letters from and to Schelling). The edited texts are being…