The list has 19 entrie(s). Displaying entries 1 to 19.
The complete edition of Arnold Schönberg’s musical works has the task, to make the compositional œuvre of this composer accessible to the general public. Therefore, not only the final version of the works is published within the framework of this edition but also the early version and revisions of the composer; not only the completed composition but also the fragments; not only the final texts of…
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The aim of the project is…
Martin Buber (1878-1965) is arguably the most significant and still internationally influential thinker of the modern German-Jewish cultural and intellectual world, »alongside Einstein and Freud [...] one of the best-known Jews of the twentieth century«. In addition to Buber's writings in his diverse spheres of activity, it is in particular the correspondence (approx. 40,000 letters) with almost…
Ecclesiastical law had a lasting influence on Western and Central Europe until the 20th century and contributed fundamentally to the emergence of common European legal foundations. The ways in which these influences were transmitted are manifold and go back a long way. For it was not only since the 12th century - as is often claimed - that Europe developed into a unified area in many respects in…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
For the first time, the research and edition project “Controversia et Confessio” systematically reappraises the theological controversies triggered by the Augsburg Interim and the Leipzig Alternative Draft of 1548, which could only be largely resolved by the large-scale theological unification of the Conoria Formula and the Konkordienbuch 1577/80. In these disputes, an early modern “culture of…
The project is dedicated to the research and edition of the music-historically significant, editorially untapped stock of the monodic, ecclesial, and secular music of the European Middle Ages with Latin text. Until the end of the Middle Ages, the music of Europe was determined by Monophony. The permanent abandonment of Monophony and the new concept of the polyphonic compositions constitute the…
The School of Salamanca or “Spanish late scholasticism” of the 16th and early 17th centuries is one of the most influential epochs of early modern European thought because of its importance for jurisprudence and political philosophy. The project has two objectives: Firstly, to digitally record and present the central texts of the “School of Salamanca” in an overall corpus that follows uniform…
The research project, founded in 1950 by Joseph Vogt, aims to investigate ancient slavery in all its manifestations from as many perspectives as possible and with all possible methods. The monographic form of the publication was chosen to realize this comprehensive concept. Since 1990 there has also been a series of supplements in which certain groups of sources are presented with translation and…
The project’s aim is to present Gluck’s complete works in a critical historical edition for science and musical practice. These include the notated music with its text-critical annotation and extensive information about the work history and the contemporary reception; likewise facsimiles of the textbooks are printed in the respective volume. Gluck’s oeuvre, rarely maintained in the autograph,…
The “Hallische Händel-Ausgabe” is a critical complete edition of Händel’s oevre based on all known sources. It is made for theoretical and practical use. The Editorial Board is put together internationally. Each volume contains an introduction that consists of the origin history, the works’ heritage, and a discussion of performance questions. In each edition of vocal works there is a German and,…
The life, work and character of the archaeologist and scholar Johann Joachim Winckelmann (1717-1768), who was born in Stendal and worked in Rome as of 1755, repeatedly offered cause for engagement and critical confrontation for archaeologists, art historians and literary scholars in the past. A scientific edition of the works of Winckelmann hasn’t existed until now. With financial support of the…
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
The goal of the project is the publication of the first critical scientific complete edition of the works of Joseph Haydn. The edition, with its planned 108 volumes, comprises 32 series (two more are planned as supplements and registers). Within each series, the works will be arranged chronologically if possible. Furthermore, the Haydn-studies will be published, which, among other things, include…
The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.
In total, 16 works of different genres…
The aim of REGESTA IMPERII is to record all documented and historiographically documented activities of the Roman-German kings and emperors from the Carolingians up to Maximilian I. (approx. 751-1519) as well as of selected popes in the form of German “Regesten” (abstracts).
The starting point of the undertaking is strongly connected with the name of the Frankfurt municipal librarian Friedrich…
During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…
The “Neue Robert-Schumann-Gesamtausgabe (RSA)” considers itself as historical-critical complete edition. In doing so it wants to be embedded in the historical facticity of the authentic sources. The principle is text production faithful to the sources. In accordance with the state of the art musicological editorial-technology, all compositions are carefully processed and presented as a whole.…
The focus of the joint research project is the investigation of settlement and settlements in the vicinity of Slavic centres of power in the southern Baltic Sea area on the northern border of the Slavic settlement area. The three selected study areas each comprise the surroundings of important centres of power belonging to the group of trading venues, bounded to rivers and seas, as well as early…