By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
Ceiling and mural paintings are constitutive elements in the design of baroque interiors. Unlike all other forms of pictorial art, these truly three-dimensional artistic media define early modern architecture literally from above, through colourful and complex iconographic programmes: in ecclesiastical as well as secular environments, in residential palaces and ceremonial halls, churches and…
The aim of histHub is to establish and operate a research platform for the historical sciences. The platform manages authority files on Swiss history on the one hand and, on the other, it develops digital tools for the networking of databases. With these two priorities, histHub pursues the overriding aim of improving the interoperability of research data in the field of historical sciences.
Das Forschungsprojekt Johann Caspar Lavater – Historisch-kritische Edition ausgewählter Briefwechsel (JCLB) digitalisiert und erfasst den Bestand der weit über 20'000 Briefe von und an Lavater, um in einer Web-basierten Online-Edition davon ausgewählte Briefwechsel zu edieren und Lavaters gesamte Korrespondenz erstmals synoptisch in ihrer ganzen Komplexität und ihrem Umfang für die Forschung zu…
The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.