The list has 16 entrie(s). Displaying entries 1 to 16.
The complete edition of Arnold Schönberg’s musical works has the task, to make the compositional œuvre of this composer accessible to the general public. Therefore, not only the final version of the works is published within the framework of this edition but also the early version and revisions of the composer; not only the completed composition but also the fragments; not only the final texts of…
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The aim of the project is…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
Ceiling and mural paintings are constitutive elements in the design of baroque interiors. Unlike all other forms of pictorial art, these truly three-dimensional artistic media define early modern architecture literally from above, through colourful and complex iconographic programmes: in ecclesiastical as well as secular environments, in residential palaces and ceremonial halls, churches and…
The project is dedicated to the research and edition of the music-historically significant, editorially untapped stock of the monodic, ecclesial, and secular music of the European Middle Ages with Latin text. Until the end of the Middle Ages, the music of Europe was determined by Monophony. The permanent abandonment of Monophony and the new concept of the polyphonic compositions constitute the…
The “Corpus Vitrearum Medii Aevi Deutschland” (CVMA) is part of the international “Corpus Vitrearum”, which was founded in 1952 to document and scientifically develop the entire inventory of medieval stained glass in Europe as well as in museums in the USA and Canada. The project's tasks are to set up an inventory and to document the medieval as well as the post-medieval glass paintings and their…
The aim of the project of the Saxon Academy of Sciences “Europäische Traditionen - Enzyklopädie jüdischer Kulturen” is the development and conceptual penetration of Jewish life worlds in Europe from the early modern period to the middle of the 20th century. It is based on the “Encyclopedia of Jewish History and Culture”. Completed in 2017, the work, which contains around 800 articles in seven…
The “Hallische Händel-Ausgabe” is a critical complete edition of Händel’s oevre based on all known sources. It is made for theoretical and practical use. The Editorial Board is put together internationally. Each volume contains an introduction that consists of the origin history, the works’ heritage, and a discussion of performance questions. In each edition of vocal works there is a German and,…
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
The „Katalog der deutschsprachigen illustrierten Handschriften des Mittelalters", KdiH, (Catalogue of German-Language Illustrated Medieval Manuscripts) provides a basis for the text-image-research in the German lands. It focuses on the specific interplay and multi-facetted interdependencies of text and image. Art historians and textual scholars of German vernacular texts work hand in hand,…
The “Kritische Ausgabe der Werke von Richard Strauss”, financed by the Bavarian Academy of Sciences and Humanities, has been conducted since 2011 under the direction of Prof. Dr. Hartmut Schick at the Ludwig Maximilians University (LMU) in Munich. Cooperation partners are the Richard Strauss Institute and the Richard Strauss Archive in Garmisch-Partenkirchen as well as the LMU’s Humanities IT…
The task of the project is the acquisition of sources in Germany from approx. 1600 to the middle of the 19th century, which are important for the music research. There are two departments in the German workgroup of RISM which regionally split up the source acquisition, on the one hand at the Saxon State and University Library Dresden and on the other hand at the Bavarian State Library.
The…
During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…
Friedrich Wilhelm Joseph von Schelling (1775-1854) is with Fichte and Hegel one of the most important representatives of German Idealism. The Historical-Critical Edition of Schelling’s Works presents Schelling’s works, his posthumous papers, transcripts and letters in three series (I: published works, II: unpublished works and notes, III: Letters from and to Schelling). The edited texts are being…
Max Reger (1873-1916) has left us, both in terms of expansiveness and complexity, with a monumental oeuvre. Apart from operas, his works encompasses all contemporaneous genres – chamber music, piano compositions, choirs, orchestral pieces and choir symphonies. Especially remarkable are, for a designated pioneer of new music, his work with organs as well as his revisions of other composers’ works,…
The Buddhist cave complexes in the region of Kucha, located on the northern Silk Road (in the Xinjiang Uyghur Autonomous Region, People’s Republic of China), house impressive wall paintings dating approximately from the 5th to 10th century. These are now, for the first time, being documented, studied, and made digitally accessible. In a project of the Saxon Academy of Sciences in Leipzig, research…