For some years now, research has turned increasingly to the history of the European monarchy. Only recently, the theory of a continuous decline of the monarchy since the French Revolution of 1789 was fundamentally challenged. The monarchies had been a historical phenomenon of previously underestimated flexibility and efficiency, which was able to assert itself in the age of constitutionalism and…
The binational research project “Arthur Schnitzler digital. Digitale historisch-kritische Edition (Werke 1905 bis 1931)” is carried out by scientists of the Bergische University Wuppertal, the University of Cambridge, the University College London, and the University of Bristol in cooperation with the Cambridge University Library, the German literary archive Marbach, and the Trier Centre for…
In light of the rapid decline of the dialectal linguistic competence especially in the north of the German language area it is the goal of the DMW, by means of a first systematic survey of current data, to document and analyse the still tangible stocks of the dialects or the manner of speaking with the maximal variation from standard of two generations of speakers in the Midwest of Germany.…
The aim of the research project “Grammatiken, Korpora und Sprachtechnologie für indigene nordeurasische Sprachen (INEL)” (Grammatical Descriptions, Corpora and Language Technology for Indigenous Northern Eurasian Languages) is the documentation of endangered languages. The north Eurasian area is of great interest for linguists from all over the world. The diversity of the indigenous languages…
The aim of histHub is to establish and operate a research platform for the historical sciences. The platform manages authority files on Swiss history on the one hand and, on the other, it develops digital tools for the networking of databases. With these two priorities, histHub pursues the overriding aim of improving the interoperability of research data in the field of historical sciences.
The “Kritische Ausgabe der Werke von Richard Strauss”, financed by the Bavarian Academy of Sciences and Humanities, has been conducted since 2011 under the direction of Prof. Dr. Hartmut Schick at the Ludwig Maximilians University (LMU) in Munich. Cooperation partners are the Richard Strauss Institute and the Richard Strauss Archive in Garmisch-Partenkirchen as well as the LMU’s Humanities IT…
Niklas Luhmann (1927-1998) is, apart from Max Weber, the most important German sociologist of the 20th century. His social theory and theory of society, continuously developed over a period of 30 years, is internationally outstanding. The extensive body of Luhmann’s literary estate, which the University of Bielefeld was able to acquire in 2010, sheds light on the author and the edifice of his…
The Swiss Text Corpus project is part of an international research project which aims to provide a balanced collection of the standard German language of the 20th century and to make it accessible online by digitising German-language texts of all kinds (newspaper articles, advertising, forms, instructions, guides, popular scientific literature, youth and trivial literature, fiction, etc.). The…
The Swiss Idioticon is an institute for the research and documentation of the German language and its dialects in Switzerland. Its main task is the development of the dictionary of the Swiss-German language (Swiss Idiotikon) in printed and digital form. This work describes Alemannic vocabulary in Switzerland from the late Middle Ages to the 21st century. It is the largest regional dictionary in…
Uwe Johnson (1934-1984) is one of the most important authors of German in the era of two-state identity. His novels tell of German history in a context far beyond Germany. With his essays and articles, Johnson developed the position of a “public intellectual”. His highly literary correspondence is on an equal footing with the literary work, commenting critically on post-war history in an…
The database documents the Hôtel de Musique's lively theatrical activity from 1766 to 1905, with a repertoire that includes theatre, opera, ballet, concerts and extraordinary events. The inventory provides a lively and colourful picture of Bernese theatre culture in the 19th century.
The project was developed in 2008 as part of a lecture on Bernese theatre history in the Seminar of Swiss Opera…
Max Reger (1873-1916) has left us, both in terms of expansiveness and complexity, with a monumental oeuvre. Apart from operas, his works encompasses all contemporaneous genres – chamber music, piano compositions, choirs, orchestral pieces and choir symphonies. Especially remarkable are, for a designated pioneer of new music, his work with organs as well as his revisions of other composers’ works,…