By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The project “Bernd Alois Zimmermann-Gesamtausgabe, Historisch-kritische Ausgabe seiner Werke, Schriften und Briefe”, jointly sponsored by the Berlin-Brandenburg Academy of Sciences and Humanities and the Academy of Sciences and Literature, Mainz, is the first musicological edition project for music after 1945.
The project, which was developed in close cooperation with the music archive of the…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The festival texts are the most extensive but also the least investigated group of cuneiform texts from Hittite Anatolia. At the same time, among the ancient Near Eastern cultures, they also offer a uniquely dense documentation of the cult system and its state administration. The aim of the project is an editorial reconstruction of the corpus, accessible in the form of web-based text editions.…
The DaSCH is a data and service centre for research data in the humanities, which the Swiss Academy of Humanities and Social Sciences has been operating since 2017 as a national institution in cooperation with the University of Basel. The central coordination office is located at the Digital Humanities Lab of the University of Basel under the direction of Prof. Dr. Lukas Rosenthaler. For the first…
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
The Swiss Institute for Art Research (SIK-ISEA) offers a unique wealth of scientifically sound information on historical and contemporary Swiss art as Open Access on the Internet. These online services include the four-language "SIKART Lexicon of Art in Switzerland" (www.sikart.ch), various electronic catalogues raisonnés of prominent Swiss artists and digitised documents from the Swiss Art…
The Swiss Idioticon is an institute for the research and documentation of the German language and its dialects in Switzerland. Its main task is the development of the dictionary of the Swiss-German language (Swiss Idiotikon) in printed and digital form. This work describes Alemannic vocabulary in Switzerland from the late Middle Ages to the 21st century. It is the largest regional dictionary in…
Uwe Johnson (1934-1984) is one of the most important authors of German in the era of two-state identity. His novels tell of German history in a context far beyond Germany. With his essays and articles, Johnson developed the position of a “public intellectual”. His highly literary correspondence is on an equal footing with the literary work, commenting critically on post-war history in an…