The project is dedicated to the research and edition of the music-historically significant, editorially untapped stock of the monodic, ecclesial, and secular music of the European Middle Ages with Latin text. Until the end of the Middle Ages, the music of Europe was determined by Monophony. The permanent abandonment of Monophony and the new concept of the polyphonic compositions constitute the…
In international collaboration with researchers from the USA, Canada, and Austria, the project produces the critical edition of the sentence commentaries of the Dominican theologian Richard Fishacre (founded in Oxford in the 1240s) and the Franciscan theologian Robert Cowton (founded about 1309-1311 in Oxford). The edition of the Sentences Commentary of the Franciscan Wilhelm de la Mare (written…
Orlando di Lasso (1530/1532-1594) was the most important composer of the 16th century. His oeuvre comprises more than 1300 compositions, about 480 prints from the years between 1555 and 1687 confirm his popularity and the unbroken performance tradition long after his death. He worked at the court of the Wittelsbach dukes Albrecht V. and Wilhelm V. (from 1557 as tenor and from 1563 until his death…
Until the 17th century, the astronomical and astrological works of Claudius Ptolemaeus (2nd century CE) were central source texts for the scientific understanding of the world of Arabic-Islamic and Latin-Christian cultures. The project studies the Arabic and Latin versions of Ptolemy’s major works, the Almagest and the Tetrabiblos, the minor works and pseudepigrapha, as well as the extensive…