The Aristotle annotations of Ibn Rušd or Averroes (1126–1198) form a total of the Arabic reception of the Greek philosophy and from the Late Antiquity. As such, they have had a formative influence on the respective discourses of knowledge, especially in their Latin and Hebrew translations over the centuries. The project deals with an yet unexplored part of Ibn Rušd’s natural philosophy, which at…
With the complete edition of the works of Karl Barth (1886-1968), the goal is to make available the texts, some of which have not yet been published, some of which are remote or scattered, in a critically commented edition that meets today's scientific standards. More than 50 volumes have been published since 1970. It is expected that a total of 75 volumes will be published. The texts of the…
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
Hans Kelsen (1881-1973), a scientist of Jewish origin born in the Austro-Hungarian Empire and driven out of Germany by the Nazis in 1933, who found his new home in exile in the USA, is still one of the most debated legal theorists on a global scale more than 40 years after his death. He is one of the very few jurists who have gained worldwide recognition outside their German-speaking circle and…
Das Forschungsprojekt Johann Caspar Lavater – Historisch-kritische Edition ausgewählter Briefwechsel (JCLB) digitalisiert und erfasst den Bestand der weit über 20'000 Briefe von und an Lavater, um in einer Web-basierten Online-Edition davon ausgewählte Briefwechsel zu edieren und Lavaters gesamte Korrespondenz erstmals synoptisch in ihrer ganzen Komplexität und ihrem Umfang für die Forschung zu…
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
Subject of the research project is the complete critical edition of the two-part treatise on the psychical pneuma written by the Byzantine physician and scholar John Zacharias (about 1275–1328) with a German translation and its contextualization in medical and intellectual history as well as the history of its reception. This work is of central importance especially for the history of psychology,…
The Leipzig edition of Felix Mendelssohn Bartholdy’s works is intended to make all accessible compositions, letters and writings as well as all other documents of his artistic work available to the public in a scientifically appropriate form. As a historical-critical edition, it aims to serve research and musical practice in equal measure. The issue is published in 13 series. Approximately 80…
During the project period of six years, it is planned on the one hand to publish the complete edition of Albrecht von Haller's reviews (including more than 9'000 in the leading German-language review organ Göttingische Gelehrte Anzeigen) as a central, but still largely unknown part of his oeuvre. On the other hand, a well-founded selection of approximately 8,000 letters related to the content of…
The name of Dionysius the Areopagite refers to the Athenian, who according to Acts 17:34 was converted by St. Paul’s speech on the Areopagus and then followed him. The name was adopted by a prolific unknown author around 500 A.D., with a vast number of writings based on the tremendous influence of his synthesizing of neo-platonic philosophy and Christian theology. The manuscript tradition is a…
During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…