The “Augustinus-Lexikon” (AL) is a multivolume dictionary of terms and encyclopaedia of Augustine, his life and thinking, his works, people from his personal environment and his contemporary historical context (places, things and circumstances of social, political, cultural, and cultic importance), that comprises about 1200 lemmas.
The terms characteristic of Augustine’s thinking are presented…
For the first time, the research and edition project “Controversia et Confessio” systematically reappraises the theological controversies triggered by the Augsburg Interim and the Leipzig Alternative Draft of 1548, which could only be largely resolved by the large-scale theological unification of the Conoria Formula and the Konkordienbuch 1577/80. In these disputes, an early modern “culture of…
The “Hallische Händel-Ausgabe” is a critical complete edition of Händel’s oevre based on all known sources. It is made for theoretical and practical use. The Editorial Board is put together internationally. Each volume contains an introduction that consists of the origin history, the works’ heritage, and a discussion of performance questions. In each edition of vocal works there is a German and,…
Written sources are – like art and buildings – integral parts of the cultural heritage, whose preservation, indexing and provision are central social duties. The knowledge of the past is principally based on texts, that more or less accidentally escaped destruction. These records preserve the knowledge, the faith, the tales, the visions and dreams of the people. They give testimony of past…
LEI aims to document and etymologically comment on the entire vocabulary of Italoromania from a historical perspective. The project was founded in 1968 by Max Pfister. Since 2001 it has been managed by Max Pfister together with Wolfgang Schweickard. So far, 16 large-format volumes have been published. The LEI can also be accessed online via open access at a later date than the print output. LEI…
During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…
Max Reger (1873-1916) has left us, both in terms of expansiveness and complexity, with a monumental oeuvre. Apart from operas, his works encompasses all contemporaneous genres – chamber music, piano compositions, choirs, orchestral pieces and choir symphonies. Especially remarkable are, for a designated pioneer of new music, his work with organs as well as his revisions of other composers’ works,…