By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The project “Bernd Alois Zimmermann-Gesamtausgabe, Historisch-kritische Ausgabe seiner Werke, Schriften und Briefe”, jointly sponsored by the Berlin-Brandenburg Academy of Sciences and Humanities and the Academy of Sciences and Literature, Mainz, is the first musicological edition project for music after 1945.
The project, which was developed in close cooperation with the music archive of the…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The project is dedicated to the research and edition of the music-historically significant, editorially untapped stock of the monodic, ecclesial, and secular music of the European Middle Ages with Latin text. Until the end of the Middle Ages, the music of Europe was determined by Monophony. The permanent abandonment of Monophony and the new concept of the polyphonic compositions constitute the…
Hans Kelsen (1881-1973), a scientist of Jewish origin born in the Austro-Hungarian Empire and driven out of Germany by the Nazis in 1933, who found his new home in exile in the USA, is still one of the most debated legal theorists on a global scale more than 40 years after his death. He is one of the very few jurists who have gained worldwide recognition outside their German-speaking circle and…
The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.