The list has 10 entrie(s). Displaying entries 1 to 10.
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
AGATE-ID: PR109
The DaSCH is a data and service centre for research data in the humanities, which the Swiss Academy of Humanities and Social Sciences has been operating since 2017 as a national institution in cooperation with the University of Basel. The central coordination office is located at the Digital Humanities Lab of the University of Basel under the direction of Prof. Dr. Lukas Rosenthaler. For the first…
AGATE-ID: PR286
Robert and Clara Schumann: The great pair of musicians of German romanticism has left a lasting impression on the cultural history of the 19th century. The contacts to almost all the important musicians of the time, but also to poets and painters, to publishers, to friends, and family members are reflected in an extensive correspondence, about which Robert Schumann kept meticulous books. As a…
AGATE-ID: PR67
The project’s aim is to present Gluck’s complete works in a critical historical edition for science and musical practice. These include the notated music with its text-critical annotation and extensive information about the work history and the contemporary reception; likewise facsimiles of the textbooks are printed in the respective volume. Gluck’s oeuvre, rarely maintained in the autograph,…
AGATE-ID: PR5
Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
The critical digital edition will…
AGATE-ID: PR702
The “Hallische Händel-Ausgabe” is a critical complete edition of Händel’s oevre based on all known sources. It is made for theoretical and practical use. The Editorial Board is put together internationally. Each volume contains an introduction that consists of the origin history, the works’ heritage, and a discussion of performance questions. In each edition of vocal works there is a German and,…
AGATE-ID: PR27
Das Forschungsprojekt Johann Caspar Lavater – Historisch-kritische Edition ausgewählter Briefwechsel (JCLB) digitalisiert und erfasst den Bestand der weit über 20'000 Briefe von und an Lavater, um in einer Web-basierten Online-Edition davon ausgewählte Briefwechsel zu edieren und Lavaters gesamte Korrespondenz erstmals synoptisch in ihrer ganzen Komplexität und ihrem Umfang für die Forschung zu…
AGATE-ID: PR710
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
AGATE-ID: PR41
Orlando di Lasso (1530/1532-1594) was the most important composer of the 16th century. His oeuvre comprises more than 1300 compositions, about 480 prints from the years between 1555 and 1687 confirm his popularity and the unbroken performance tradition long after his death. He worked at the court of the Wittelsbach dukes Albrecht V. and Wilhelm V. (from 1557 as tenor and from 1563 until his death…
AGATE-ID: PR53
The database documents the Hôtel de Musique's lively theatrical activity from 1766 to 1905, with a repertoire that includes theatre, opera, ballet, concerts and extraordinary events. The inventory provides a lively and colourful picture of Bernese theatre culture in the 19th century.
The project was developed in 2008 as part of a lecture on Bernese theatre history in the Seminar of Swiss Opera…
AGATE-ID: PR697