Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
Gottfried Wilhelm Leibniz (1646–1716) is said to be the last polymath. This is reflected by his diverse and mostly unpublished work. Until today, there is no complete edition which forced researchers to rely on deficient partial editions from the 19th century. The project aims at a complete edition of G. W. Leibniz’ writings and of his letters. The handwritten literary remains are to a large…
Niklas Luhmann (1927-1998) is, apart from Max Weber, the most important German sociologist of the 20th century. His social theory and theory of society, continuously developed over a period of 30 years, is internationally outstanding. The extensive body of Luhmann’s literary estate, which the University of Bielefeld was able to acquire in 2010, sheds light on the author and the edifice of his…
The name of Dionysius the Areopagite refers to the Athenian, who according to Acts 17:34 was converted by St. Paul’s speech on the Areopagus and then followed him. The name was adopted by a prolific unknown author around 500 A.D., with a vast number of writings based on the tremendous influence of his synthesizing of neo-platonic philosophy and Christian theology. The manuscript tradition is a…