The binational research project “Arthur Schnitzler digital. Digitale historisch-kritische Edition (Werke 1905 bis 1931)” is carried out by scientists of the Bergische University Wuppertal, the University of Cambridge, the University College London, and the University of Bristol in cooperation with the Cambridge University Library, the German literary archive Marbach, and the Trier Centre for…
The Aristotle annotations of Ibn Rušd or Averroes (1126–1198) form a total of the Arabic reception of the Greek philosophy and from the Late Antiquity. As such, they have had a formative influence on the respective discourses of knowledge, especially in their Latin and Hebrew translations over the centuries. The project deals with an yet unexplored part of Ibn Rušd’s natural philosophy, which at…
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
Ceiling and mural paintings are constitutive elements in the design of baroque interiors. Unlike all other forms of pictorial art, these truly three-dimensional artistic media define early modern architecture literally from above, through colourful and complex iconographic programmes: in ecclesiastical as well as secular environments, in residential palaces and ceremonial halls, churches and…
The “Corpus Vitrearum Medii Aevi Deutschland” (CVMA) is part of the international “Corpus Vitrearum”, which was founded in 1952 to document and scientifically develop the entire inventory of medieval stained glass in Europe as well as in museums in the USA and Canada. The project's tasks are to set up an inventory and to document the medieval as well as the post-medieval glass paintings and their…
Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
Das Forschungsprojekt Johann Caspar Lavater – Historisch-kritische Edition ausgewählter Briefwechsel (JCLB) digitalisiert und erfasst den Bestand der weit über 20'000 Briefe von und an Lavater, um in einer Web-basierten Online-Edition davon ausgewählte Briefwechsel zu edieren und Lavaters gesamte Korrespondenz erstmals synoptisch in ihrer ganzen Komplexität und ihrem Umfang für die Forschung zu…
The “Kritische Ausgabe der Werke von Richard Strauss”, financed by the Bavarian Academy of Sciences and Humanities, has been conducted since 2011 under the direction of Prof. Dr. Hartmut Schick at the Ludwig Maximilians University (LMU) in Munich. Cooperation partners are the Richard Strauss Institute and the Richard Strauss Archive in Garmisch-Partenkirchen as well as the LMU’s Humanities IT…
Since 1898 the Law Sources Foundation of the Swiss Lawyers Society edits a collection of law sources which had been created on Swiss territory up to 1798, the Collection of Swiss Law Sources. The Collection contains materials from the early Middle Ages until early modern times (1798). Over 130 volumes, or more than 80'000 pages of source material and comments from all language regions of…
The staff of the project “Turfanforschung” edits central Iranian and old Turkic texts from the Turfanian text corpus (Turfansammlung). The texts of the “Turfansammlung” originated from the Central Asian oases along the silk road and date from the 7th to the 14th century CE. In the year 1902, the former Prussian Academy of Sciences received a considerable amount of texts from an expedition to East…
Uwe Johnson (1934-1984) is one of the most important authors of German in the era of two-state identity. His novels tell of German history in a context far beyond Germany. With his essays and articles, Johnson developed the position of a “public intellectual”. His highly literary correspondence is on an equal footing with the literary work, commenting critically on post-war history in an…