The systematic research into the Ethiopian manuscript culture is the aim of the long-term project “Die Schriftkultur des christlichen Äthiopiens und Eritreas: Eine multimediale Forschungsumgebung” (“Beta maṣāḥǝft: Manuscripts of Ethiopia and Eritrea”). Ethiopia and Eritrea are situated, from the perspective of cultural history, both at the periphery of the so-called Christian Orient and in the…
The Corpus Inscriptionum Latinarum contains the Latin inscriptions from the entire space of the former Roman Empire in a geographical and systematic order; since its foundation by Theodor Mommsen, it has been the authoritative documentation of the epigraphic heritage of Roman antiquity. Today, the Corpus Inscriptionum Latinarum has about 180,000 inscriptions and supplementary volumes with plates…
The DaSCH is a data and service centre for research data in the humanities, which the Swiss Academy of Humanities and Social Sciences has been operating since 2017 as a national institution in cooperation with the University of Basel. The central coordination office is located at the Digital Humanities Lab of the University of Basel under the direction of Prof. Dr. Lukas Rosenthaler. For the first…
Medieval and early modern inscriptions crafted before 1650, in Latin and German language, situated in German-speaking areas are at the heart of this project. Inscriptions are significant and unique historical sources because they are often preserved in an authentic state and in their original setting. For the premodern era, script which was affixed to stone, wood, metal, glass as well as textiles…
The research project “Die frühbuddhistischen Handschriften aus Gandhāra: religiöse Literatur an der Schnittstelle von Indien, Zentralasien und China” was established in 2012. On the basis of philological and historical methods, it provides new insight into the early history of Buddhism on its way to becoming a world religion. The project studies manuscripts found in the 1990s in northern Pakistan…
Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
Written sources are – like art and buildings – integral parts of the cultural heritage, whose preservation, indexing and provision are central social duties. The knowledge of the past is principally based on texts, that more or less accidentally escaped destruction. These records preserve the knowledge, the faith, the tales, the visions and dreams of the people. They give testimony of past…