The list has 11 entrie(s). Displaying entries 1 to 11.
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The aim of the project is…
AGATE-ID: PR110
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
AGATE-ID: PR109
For the first time, the research and edition project “Controversia et Confessio” systematically reappraises the theological controversies triggered by the Augsburg Interim and the Leipzig Alternative Draft of 1548, which could only be largely resolved by the large-scale theological unification of the Conoria Formula and the Konkordienbuch 1577/80. In these disputes, an early modern “culture of…
AGATE-ID: PR259
The project is dedicated to the research and edition of the music-historically significant, editorially untapped stock of the monodic, ecclesial, and secular music of the European Middle Ages with Latin text. Until the end of the Middle Ages, the music of Europe was determined by Monophony. The permanent abandonment of Monophony and the new concept of the polyphonic compositions constitute the…
AGATE-ID: PR111
The “Corpus Vitrearum Medii Aevi Deutschland” (CVMA) is part of the international “Corpus Vitrearum”, which was founded in 1952 to document and scientifically develop the entire inventory of medieval stained glass in Europe as well as in museums in the USA and Canada. The project's tasks are to set up an inventory and to document the medieval as well as the post-medieval glass paintings and their…
AGATE-ID: PR272
The “Hallische Händel-Ausgabe” is a critical complete edition of Händel’s oevre based on all known sources. It is made for theoretical and practical use. The Editorial Board is put together internationally. Each volume contains an introduction that consists of the origin history, the works’ heritage, and a discussion of performance questions. In each edition of vocal works there is a German and,…
AGATE-ID: PR27
Written sources are – like art and buildings – integral parts of the cultural heritage, whose preservation, indexing and provision are central social duties. The knowledge of the past is principally based on texts, that more or less accidentally escaped destruction. These records preserve the knowledge, the faith, the tales, the visions and dreams of the people. They give testimony of past…
AGATE-ID: PR64
Printed eulogies or funeral sermons dating back to the two centuries between 1550 and 1750, gained huge significance regarding the exploration of Early Modern history next to its initial form as funeral sermons of the Protestant upper- and middleclass. The eulogies contain more or less extensive biographies and therefore constitute one of the most meaningful types of historical sources…
AGATE-ID: PR71
LEI aims to document and etymologically comment on the entire vocabulary of Italoromania from a historical perspective. The project was founded in 1968 by Max Pfister. Since 2001 it has been managed by Max Pfister together with Wolfgang Schweickard. So far, 16 large-format volumes have been published. The LEI can also be accessed online via open access at a later date than the print output. LEI…
AGATE-ID: PR273
During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…
AGATE-ID: PR261
Max Reger (1873-1916) has left us, both in terms of expansiveness and complexity, with a monumental oeuvre. Apart from operas, his works encompasses all contemporaneous genres – chamber music, piano compositions, choirs, orchestral pieces and choir symphonies. Especially remarkable are, for a designated pioneer of new music, his work with organs as well as his revisions of other composers’ works,…
AGATE-ID: PR265