The list has 5 entrie(s). Displaying entries 1 to 5.

Deutsche Inschriften des Mittelalters und der Frühen Neuzeit

Medieval and early modern inscriptions crafted before 1650, in Latin and German language, situated in German-speaking areas are at the heart of this project. Inscriptions are significant and unique historical sources because they are often preserved in an authentic state and in their original setting. For the premodern era, script which was affixed to stone, wood, metal, glass as well as textiles…

AGATE-ID: PR17

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Lessico Etimologico Italiano

LEI aims to document and etymologically comment on the entire vocabulary of Italoromania from a historical perspective. The project was founded in 1968 by Max Pfister. Since 2001 it has been managed by Max Pfister together with Wolfgang Schweickard. So far, 16 large-format volumes have been published. The LEI can also be accessed online via open access at a later date than the print output. LEI…

AGATE-ID: PR273

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OPERA - Spektrum des europäischen Musiktheaters in Einzeleditionen

The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.

In total, 16 works of different genres…

AGATE-ID: PR23

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Répertoire International des Sources Musicales (RISM, Zentralredaktion)

The International Inventory of Musical Sources - Répertoire International des Sources Musicales (RISM) - is an international, non-profit organization which aims for comprehensive documentation of extant musical sources worldwide. These primary sources are manuscripts or printed music, writings on music theory, and libretti. They are housed in libraries, archives, monasteries, schools and private…

AGATE-ID: PR24

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Richard Wagner Schriften. Historisch-kritische Gesamtausgabe

During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…

AGATE-ID: PR261

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