The list has 9 entrie(s). Displaying entries 1 to 9.

Altägyptische Kursivschriften. Digitale Paläographie und systematische Analyse des Hieratischen und der Kursivhieroglyphen

The subject of the interdisciplinary project, which combines egyptological research with methods from computer philology, consists of the ancient Egyptian scripts called Hieratic and cursive hieroglyphic script, both having been used alongside monumental hieroglyphic script for over 3000 years. The inventory of signs taken from selected texts is systematically and digitally recorded with different…

AGATE-ID: PR276

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Beethovens Werkstatt. Genetische Textkritik und Digitale Musikedition

By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.

The aim of the project is…

AGATE-ID: PR110

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Carl-Maria-von-Weber-Gesamtausgabe. Sämtliche Werke, Tagebücher, Briefe und Schriften

The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…

AGATE-ID: PR109

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Con­tro­ver­sia et Con­fes­sio. Quellenedition zu Bekenntnisbildung und Konfessionalisierung (1548–1580)

For the first time, the research and edition project “Controversia et Confessio” systematically reappraises the theological controversies triggered by the Augsburg Interim and the Leipzig Alternative Draft of 1548, which could only be largely resolved by the large-scale theological unification of the Conoria Formula and the Konkordienbuch 1577/80. In these disputes, an early modern “culture of…

AGATE-ID: PR259

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Deutsche Inschriften des Mittelalters und der Frühen Neuzeit

Medieval and early modern inscriptions crafted before 1650, in Latin and German language, situated in German-speaking areas are at the heart of this project. Inscriptions are significant and unique historical sources because they are often preserved in an authentic state and in their original setting. For the premodern era, script which was affixed to stone, wood, metal, glass as well as textiles…

AGATE-ID: PR17

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Forschungskontinuität und Kontinuitätsforschung. Siedlungsarchäologische Grundlagenforschung zur Eisenzeit im Baltikum

The reciprocal word pair “Forschungskontinuität und Kontinuitätsforschung” (continuity of research and research of continuity) in the project-title outlines the significant difficulties and opportunities of the traditional, but not unproblematic history of the archaeological sciences in landscapes, that are very rich in findings and important for the development of northern and eastern Europe.…

AGATE-ID: PR61

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Hallische Händel-Ausgabe

The “Hallische Händel-Ausgabe” is a critical complete edition of Händel’s oevre based on all known sources. It is made for theoretical and practical use. The Editorial Board is put together internationally. Each volume contains an introduction that consists of the origin history, the works’ heritage, and a discussion of performance questions. In each edition of vocal works there is a German and,…

AGATE-ID: PR27

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Richard Wagner Schriften. Historisch-kritische Gesamtausgabe

During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…

AGATE-ID: PR261

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Wissenschaftlich-kritische Herausgabe von Werken Max Regers

Max Reger (1873-1916) has left us, both in terms of expansiveness and complexity, with a monumental oeuvre. Apart from operas, his works encompasses all contemporaneous genres – chamber music, piano compositions, choirs, orchestral pieces and choir symphonies. Especially remarkable are, for a designated pioneer of new music, his work with organs as well as his revisions of other composers’ works,…

AGATE-ID: PR265

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