The subject of the interdisciplinary project, which combines egyptological research with methods from computer philology, consists of the ancient Egyptian scripts called Hieratic and cursive hieroglyphic script, both having been used alongside monumental hieroglyphic script for over 3000 years. The inventory of signs taken from selected texts is systematically and digitally recorded with different…
Ceiling and mural paintings are constitutive elements in the design of baroque interiors. Unlike all other forms of pictorial art, these truly three-dimensional artistic media define early modern architecture literally from above, through colourful and complex iconographic programmes: in ecclesiastical as well as secular environments, in residential palaces and ceremonial halls, churches and…
The project “Corpus der Quellen zur mittelalterlichen Geschichte der Juden im Reichsgebiet” is aimed to register all relevant temporal and spatially fixed sources of the history of the Jews in the region of the Roman-German empire for the period from 1273 to 1519 chronologically and to make it available online – depending on the edition – in the form of full texts or regesta. It therefore strives…
Medieval and early modern inscriptions crafted before 1650, in Latin and German language, situated in German-speaking areas are at the heart of this project. Inscriptions are significant and unique historical sources because they are often preserved in an authentic state and in their original setting. For the premodern era, script which was affixed to stone, wood, metal, glass as well as textiles…
Through critical editions of authoritative commentaries and sermons on Old Testament texts as well as comparative studies, the Academy's project “Die alexandrinische und antiochenische Bibelexegese in der Spätantike” opens up a central part of the literature of ancient Christianity - namely the interpretation of that part of the Christian Holy Scripture which Christianity shares with its mother…
The task of the project “Germania Sacra” is to gain access and to publish the diverse and comprehensive written sources, which give evidence of the history of the Church of the Holy Roman Empire and its institutions. For this purpose, the source material of archives and libraries is published in the form of reference books. The reference books provide an extensive description of the dioceses,…
The project’s aim is to present Gluck’s complete works in a critical historical edition for science and musical practice. These include the notated music with its text-critical annotation and extensive information about the work history and the contemporary reception; likewise facsimiles of the textbooks are printed in the respective volume. Gluck’s oeuvre, rarely maintained in the autograph,…
Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
Das Forschungsprojekt Johann Caspar Lavater – Historisch-kritische Edition ausgewählter Briefwechsel (JCLB) digitalisiert und erfasst den Bestand der weit über 20'000 Briefe von und an Lavater, um in einer Web-basierten Online-Edition davon ausgewählte Briefwechsel zu edieren und Lavaters gesamte Korrespondenz erstmals synoptisch in ihrer ganzen Komplexität und ihrem Umfang für die Forschung zu…
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
Subject of the research project is the complete critical edition of the two-part treatise on the psychical pneuma written by the Byzantine physician and scholar John Zacharias (about 1275–1328) with a German translation and its contextualization in medical and intellectual history as well as the history of its reception. This work is of central importance especially for the history of psychology,…
The “Kritische Ausgabe der Werke von Richard Strauss”, financed by the Bavarian Academy of Sciences and Humanities, has been conducted since 2011 under the direction of Prof. Dr. Hartmut Schick at the Ludwig Maximilians University (LMU) in Munich. Cooperation partners are the Richard Strauss Institute and the Richard Strauss Archive in Garmisch-Partenkirchen as well as the LMU’s Humanities IT…
Gottfried Wilhelm Leibniz (1646–1716) is said to be the last polymath. This is reflected by his diverse and mostly unpublished work. Until today, there is no complete edition which forced researchers to rely on deficient partial editions from the 19th century. The project aims at a complete edition of G. W. Leibniz’ writings and of his letters. The handwritten literary remains are to a large…
The Leipzig edition of Felix Mendelssohn Bartholdy’s works is intended to make all accessible compositions, letters and writings as well as all other documents of his artistic work available to the public in a scientifically appropriate form. As a historical-critical edition, it aims to serve research and musical practice in equal measure. The issue is published in 13 series. Approximately 80…
The “Neue Schubert-Ausgabe” is a scholarly critical edition of all musical works of Franz Schubert (1797-1828). Its 84 volumes are classified in eight series according to groups of works and include a catalogue of works, documents concerning the biography, and catalogues of sources. Each volume lists the most important sources and interpretations, and is completed by a separate critical report.…
The Royal Prussian Academy of Sciences started with a complete edition of the writings of Immanuel Kant in 1894, which is published in the sections “work”, “correspondence”, “handwritten literary remains” and “lectures” since 1900. The project will complete the edition by reediting or revising the sections “work” and “correspondence”, by filling up essential lacunae and by correcting plenty of…
Orlando di Lasso (1530/1532-1594) was the most important composer of the 16th century. His oeuvre comprises more than 1300 compositions, about 480 prints from the years between 1555 and 1687 confirm his popularity and the unbroken performance tradition long after his death. He worked at the court of the Wittelsbach dukes Albrecht V. and Wilhelm V. (from 1557 as tenor and from 1563 until his death…
The name of Dionysius the Areopagite refers to the Athenian, who according to Acts 17:34 was converted by St. Paul’s speech on the Areopagus and then followed him. The name was adopted by a prolific unknown author around 500 A.D., with a vast number of writings based on the tremendous influence of his synthesizing of neo-platonic philosophy and Christian theology. The manuscript tradition is a…
“It is only on the step, in the gateway, the entrance, the vestibule, the space between the outside and the inner chamber, between the sacred and the common, that we may ordinarily tarry with our friends.”
With these words Goethe paraphrases the title of his journal “Propylaea”, which he edited from 1798 to 1800. The title is a programmatic statement: the journal is meant to be a place of…
The Swiss Institute for Art Research (SIK-ISEA) offers a unique wealth of scientifically sound information on historical and contemporary Swiss art as Open Access on the Internet. These online services include the four-language "SIKART Lexicon of Art in Switzerland" (www.sikart.ch), various electronic catalogues raisonnés of prominent Swiss artists and digitised documents from the Swiss Art…