By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
The Leipzig edition of Felix Mendelssohn Bartholdy’s works is intended to make all accessible compositions, letters and writings as well as all other documents of his artistic work available to the public in a scientifically appropriate form. As a historical-critical edition, it aims to serve research and musical practice in equal measure. The issue is published in 13 series. Approximately 80…
The Royal Prussian Academy of Sciences started with a complete edition of the writings of Immanuel Kant in 1894, which is published in the sections “work”, “correspondence”, “handwritten literary remains” and “lectures” since 1900. The project will complete the edition by reediting or revising the sections “work” and “correspondence”, by filling up essential lacunae and by correcting plenty of…
“It is only on the step, in the gateway, the entrance, the vestibule, the space between the outside and the inner chamber, between the sacred and the common, that we may ordinarily tarry with our friends.”
With these words Goethe paraphrases the title of his journal “Propylaea”, which he edited from 1798 to 1800. The title is a programmatic statement: the journal is meant to be a place of…