The Aristotle annotations of Ibn Rušd or Averroes (1126–1198) form a total of the Arabic reception of the Greek philosophy and from the Late Antiquity. As such, they have had a formative influence on the respective discourses of knowledge, especially in their Latin and Hebrew translations over the centuries. The project deals with an yet unexplored part of Ibn Rušd’s natural philosophy, which at…
Ceiling and mural paintings are constitutive elements in the design of baroque interiors. Unlike all other forms of pictorial art, these truly three-dimensional artistic media define early modern architecture literally from above, through colourful and complex iconographic programmes: in ecclesiastical as well as secular environments, in residential palaces and ceremonial halls, churches and…
The DaSCH is a data and service centre for research data in the humanities, which the Swiss Academy of Humanities and Social Sciences has been operating since 2017 as a national institution in cooperation with the University of Basel. The central coordination office is located at the Digital Humanities Lab of the University of Basel under the direction of Prof. Dr. Lukas Rosenthaler. For the first…
Subject of the research project is the complete critical edition of the two-part treatise on the psychical pneuma written by the Byzantine physician and scholar John Zacharias (about 1275–1328) with a German translation and its contextualization in medical and intellectual history as well as the history of its reception. This work is of central importance especially for the history of psychology,…
Since 1898 the Law Sources Foundation of the Swiss Lawyers Society edits a collection of law sources which had been created on Swiss territory up to 1798, the Collection of Swiss Law Sources. The Collection contains materials from the early Middle Ages until early modern times (1798). Over 130 volumes, or more than 80'000 pages of source material and comments from all language regions of…
Max Reger (1873-1916) has left us, both in terms of expansiveness and complexity, with a monumental oeuvre. Apart from operas, his works encompasses all contemporaneous genres – chamber music, piano compositions, choirs, orchestral pieces and choir symphonies. Especially remarkable are, for a designated pioneer of new music, his work with organs as well as his revisions of other composers’ works,…