The Aristotle annotations of Ibn Rušd or Averroes (1126–1198) form a total of the Arabic reception of the Greek philosophy and from the Late Antiquity. As such, they have had a formative influence on the respective discourses of knowledge, especially in their Latin and Hebrew translations over the centuries. The project deals with an yet unexplored part of Ibn Rušd’s natural philosophy, which at…
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The aim of the project described below is to develop two fundamental desiderata of Koranic research: an edition of the Koranic text that meets critical standards and a comprehensive commentary on the Koran that consistently interprets it in the context of its historical context of origin. In contrast to the Kairen Koran edition of 1923, which is currently widespread, the project presented here is…
Medieval and early modern inscriptions crafted before 1650, in Latin and German language, situated in German-speaking areas are at the heart of this project. Inscriptions are significant and unique historical sources because they are often preserved in an authentic state and in their original setting. For the premodern era, script which was affixed to stone, wood, metal, glass as well as textiles…
Robert and Clara Schumann: The great pair of musicians of German romanticism has left a lasting impression on the cultural history of the 19th century. The contacts to almost all the important musicians of the time, but also to poets and painters, to publishers, to friends, and family members are reflected in an extensive correspondence, about which Robert Schumann kept meticulous books. As a…
The project “Johann Friedrich Blumenbach –Online” (www.blumenbach-online.de) aims at making the rise of German science within the European context visible, and at supplying a missing part in accessible primary source material on the cultural history of the time: the publications of Johann Friedrich Blumenbach. This is particularly significant with regard to an essential aspect of this period: the…
Gottfried Wilhelm Leibniz (1646–1716) is said to be the last polymath. This is reflected by his diverse and mostly unpublished work. Until today, there is no complete edition which forced researchers to rely on deficient partial editions from the 19th century. The project aims at a complete edition of G. W. Leibniz’ writings and of his letters. The handwritten literary remains are to a large…
The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.
During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…
Uwe Johnson (1934-1984) is one of the most important authors of German in the era of two-state identity. His novels tell of German history in a context far beyond Germany. With his essays and articles, Johnson developed the position of a “public intellectual”. His highly literary correspondence is on an equal footing with the literary work, commenting critically on post-war history in an…