The list has 5 entrie(s). Displaying entries 1 to 5.

Altokzitanisches Wörterbuch. Dictionnaire de l’occitan médiéval

In the Middle Ages, Old Occitan (formerly “Old Provençal”) was a literary and cultural language, the influence of which extended far beyond the frontiers of Southern France. It was also the language of the troubadours, whose songs had a decisive impact on the love poetry of the European literatures during the Middle Ages.

The only comprehensive portrayal of the Old Occitan vocabulary to have…

AGATE-ID: PR48

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Corpus monodicum. Die einstimmige Musik des lateinischen Mittelalters

The project is dedicated to the research and edition of the music-historically significant, editorially untapped stock of the monodic, ecclesial, and secular music of the European Middle Ages with Latin text. Until the end of the Middle Ages, the music of Europe was determined by Monophony. The permanent abandonment of Monophony and the new concept of the polyphonic compositions constitute the…

AGATE-ID: PR111

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Die frühbuddhistischen Handschriften aus Gandhāra. Religiöse Literatur an der Schnittstelle von Indien, Zentralasien und China

The research project “Die frühbuddhistischen Handschriften aus Gandhāra: religiöse Literatur an der Schnittstelle von Indien, Zentralasien und China” was established in 2012. On the basis of philological and historical methods, it provides new insight into the early history of Buddhism on its way to becoming a world religion. The project studies manuscripts found in the 1990s in northern Pakistan…

AGATE-ID: PR52

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Kritische Ausgabe der Werke von Richard Strauss

The “Kritische Ausgabe der Werke von Richard Strauss”, financed by the Bavarian Academy of Sciences and Humanities, has been conducted since 2011 under the direction of Prof. Dr. Hartmut Schick at the Ludwig Maximilians University (LMU) in Munich. Cooperation partners are the Richard Strauss Institute and the Richard Strauss Archive in Garmisch-Partenkirchen as well as the LMU’s Humanities IT…

AGATE-ID: PR68

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Richard Wagner Schriften. Historisch-kritische Gesamtausgabe

During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…

AGATE-ID: PR261

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