For some years now, research has turned increasingly to the history of the European monarchy. Only recently, the theory of a continuous decline of the monarchy since the French Revolution of 1789 was fundamentally challenged. The monarchies had been a historical phenomenon of previously underestimated flexibility and efficiency, which was able to assert itself in the age of constitutionalism and…
Ceiling and mural paintings are constitutive elements in the design of baroque interiors. Unlike all other forms of pictorial art, these truly three-dimensional artistic media define early modern architecture literally from above, through colourful and complex iconographic programmes: in ecclesiastical as well as secular environments, in residential palaces and ceremonial halls, churches and…
The project’s aim is to present Gluck’s complete works in a critical historical edition for science and musical practice. These include the notated music with its text-critical annotation and extensive information about the work history and the contemporary reception; likewise facsimiles of the textbooks are printed in the respective volume. Gluck’s oeuvre, rarely maintained in the autograph,…
The „Goethe-Wörterbuch“ is a dictionary that analyses the use of words in the texts of a single author, presenting Goethe’s entire vocabulary in alphabetical order. On the basis of approximately three million archive slips on about 90.000 headwords, it displays their multiple usage in systematically structured entries, with selected quotations to verify and illustrate the differentiated meanings.…
“It is only on the step, in the gateway, the entrance, the vestibule, the space between the outside and the inner chamber, between the sacred and the common, that we may ordinarily tarry with our friends.”
With these words Goethe paraphrases the title of his journal “Propylaea”, which he edited from 1798 to 1800. The title is a programmatic statement: the journal is meant to be a place of…