For the first time, the research and edition project “Controversia et Confessio” systematically reappraises the theological controversies triggered by the Augsburg Interim and the Leipzig Alternative Draft of 1548, which could only be largely resolved by the large-scale theological unification of the Conoria Formula and the Konkordienbuch 1577/80. In these disputes, an early modern “culture of…
The School of Salamanca or “Spanish late scholasticism” of the 16th and early 17th centuries is one of the most influential epochs of early modern European thought because of its importance for jurisprudence and political philosophy. The project has two objectives: Firstly, to digitally record and present the central texts of the “School of Salamanca” in an overall corpus that follows uniform…
At the Academy of Sciences and Literature in Mainz and in cooperation with the Technical University of Darmstadt, a digital dictionary of surnames is being developed. For the first time, this dictionary records all currently existing family names Germany (also foreign names) lexicographically, maps them and etymologizes them with the help of maps.
The project’s aim is to present Gluck’s complete works in a critical historical edition for science and musical practice. These include the notated music with its text-critical annotation and extensive information about the work history and the contemporary reception; likewise facsimiles of the textbooks are printed in the respective volume. Gluck’s oeuvre, rarely maintained in the autograph,…
The “Hallische Händel-Ausgabe” is a critical complete edition of Händel’s oevre based on all known sources. It is made for theoretical and practical use. The Editorial Board is put together internationally. Each volume contains an introduction that consists of the origin history, the works’ heritage, and a discussion of performance questions. In each edition of vocal works there is a German and,…
During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…