By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
The aim of histHub is to establish and operate a research platform for the historical sciences. The platform manages authority files on Swiss history on the one hand and, on the other, it develops digital tools for the networking of databases. With these two priorities, histHub pursues the overriding aim of improving the interoperability of research data in the field of historical sciences.
The International Inventory of Musical Sources - Répertoire International des Sources Musicales (RISM) - is an international, non-profit organization which aims for comprehensive documentation of extant musical sources worldwide. These primary sources are manuscripts or printed music, writings on music theory, and libretti. They are housed in libraries, archives, monasteries, schools and private…
Max Reger (1873-1916) has left us, both in terms of expansiveness and complexity, with a monumental oeuvre. Apart from operas, his works encompasses all contemporaneous genres – chamber music, piano compositions, choirs, orchestral pieces and choir symphonies. Especially remarkable are, for a designated pioneer of new music, his work with organs as well as his revisions of other composers’ works,…