Ceiling and mural paintings are constitutive elements in the design of baroque interiors. Unlike all other forms of pictorial art, these truly three-dimensional artistic media define early modern architecture literally from above, through colourful and complex iconographic programmes: in ecclesiastical as well as secular environments, in residential palaces and ceremonial halls, churches and…
The project is dedicated to the research and edition of the music-historically significant, editorially untapped stock of the monodic, ecclesial, and secular music of the European Middle Ages with Latin text. Until the end of the Middle Ages, the music of Europe was determined by Monophony. The permanent abandonment of Monophony and the new concept of the polyphonic compositions constitute the…
The research project “Die frühbuddhistischen Handschriften aus Gandhāra: religiöse Literatur an der Schnittstelle von Indien, Zentralasien und China” was established in 2012. On the basis of philological and historical methods, it provides new insight into the early history of Buddhism on its way to becoming a world religion. The project studies manuscripts found in the 1990s in northern Pakistan…
Subject of the research project is the complete critical edition of the two-part treatise on the psychical pneuma written by the Byzantine physician and scholar John Zacharias (about 1275–1328) with a German translation and its contextualization in medical and intellectual history as well as the history of its reception. This work is of central importance especially for the history of psychology,…
The “Kritische Ausgabe der Werke von Richard Strauss”, financed by the Bavarian Academy of Sciences and Humanities, has been conducted since 2011 under the direction of Prof. Dr. Hartmut Schick at the Ludwig Maximilians University (LMU) in Munich. Cooperation partners are the Richard Strauss Institute and the Richard Strauss Archive in Garmisch-Partenkirchen as well as the LMU’s Humanities IT…
During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…