The academy project “Alexander von Humboldt auf Reisen. Wissenschaft aus der Bewegung” comprises the complete edition of Alexander von Humboldt’s manuscripts on the topic of travel at the interface of cultural and natural sciences. This includes travel journals, diaries, memoirs, publications in the countries and regions visited as well as correspondence. The focus of the project lies on the…
I margini del libro ("The Margins of the Book") is an international project to explore and catalogue dedication texts in the Italian tradition (2002-2006 supported by the SNSF and in collaboration with the University of Applied Sciences Kaiserslautern, Germany). The Electronic Archive of the Italian Dedication (AIDI), accessible online since July 2004, provides all interested parties with a…
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The German-Swiss edition project "Der späte Nietzsche" publishes Friedrich Nietzsche's late estate for the first time in its entirety and true to the manuscript. Since 2001, the manuscript edition has been published as the ninth section (KGW IX) in the Critical Complete Edition of the Works, founded by Giorgio Colli and Mazzino Montinari. In addition, the outstanding manuscripts are published in a…
Over a period of three centuries - from the first half of the 16th century until 1806 - the imperial Aulic Council was one of the most important institutions of the Holy Roman Empire of the German Nation. As high court, supreme feudal house, administration institution of the imperial privileges and as political advisory body of the emperor the institution shaped the destiny of Central Europe in…
The „Goethe-Wörterbuch“ is a dictionary that analyses the use of words in the texts of a single author, presenting Goethe’s entire vocabulary in alphabetical order. On the basis of approximately three million archive slips on about 90.000 headwords, it displays their multiple usage in systematically structured entries, with selected quotations to verify and illustrate the differentiated meanings.…
Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
The “Neue Johannes Brahms Gesamtausgabe” brings forward Johannes Brahms’ compositional oeuvre in a historical-critical edition. Included are alternative versions, that remained unpublished by the composer, as well as adaptations by the composer of his own and external works. The goal of the edition is the reproduction of authentic texts, which are relieved from typing-, copying, and engraving…
The “Kritische Ausgabe der Werke von Richard Strauss”, financed by the Bavarian Academy of Sciences and Humanities, has been conducted since 2011 under the direction of Prof. Dr. Hartmut Schick at the Ludwig Maximilians University (LMU) in Munich. Cooperation partners are the Richard Strauss Institute and the Richard Strauss Archive in Garmisch-Partenkirchen as well as the LMU’s Humanities IT…
The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.
The foundation of modern Nepal, which until 2007 was styled as the 'only Hindu kingdom (of the world)', goes back to the middle of the 18th century when Pṛthvīnārāyaṇa Śāha, King of Gorkha, started expanding his dominion. Conquering many petty states, such as the rich Malla kingdoms of Kathmandu Valley in 1768/69, the Shah kings soon ruled over a large territory, which subsequently developed into…
During his lifetime, Richard Wagner (1813-1883) was not only productive as a composer. He also worked literary as an author of dramatic text for his own musictheatrical oevre on the one side and, on the other side, journalistically as “commentator” of his own musical creative work as well as of the events in art, history, philosophy, religion, politics, and society at that time. The oevre - in…
Friedrich Wilhelm Joseph von Schelling (1775-1854) is with Fichte and Hegel one of the most important representatives of German Idealism. The Historical-Critical Edition of Schelling’s Works presents Schelling’s works, his posthumous papers, transcripts and letters in three series (I: published works, II: unpublished works and notes, III: Letters from and to Schelling). The edited texts are being…
The Swiss Idioticon is an institute for the research and documentation of the German language and its dialects in Switzerland. Its main task is the development of the dictionary of the Swiss-German language (Swiss Idiotikon) in printed and digital form. This work describes Alemannic vocabulary in Switzerland from the late Middle Ages to the 21st century. It is the largest regional dictionary in…
The database documents the Hôtel de Musique's lively theatrical activity from 1766 to 1905, with a repertoire that includes theatre, opera, ballet, concerts and extraordinary events. The inventory provides a lively and colourful picture of Bernese theatre culture in the 19th century.
The project was developed in 2008 as part of a lecture on Bernese theatre history in the Seminar of Swiss Opera…
Max Reger (1873-1916) has left us, both in terms of expansiveness and complexity, with a monumental oeuvre. Apart from operas, his works encompasses all contemporaneous genres – chamber music, piano compositions, choirs, orchestral pieces and choir symphonies. Especially remarkable are, for a designated pioneer of new music, his work with organs as well as his revisions of other composers’ works,…