I margini del libro ("The Margins of the Book") is an international project to explore and catalogue dedication texts in the Italian tradition (2002-2006 supported by the SNSF and in collaboration with the University of Applied Sciences Kaiserslautern, Germany). The Electronic Archive of the Italian Dedication (AIDI), accessible online since July 2004, provides all interested parties with a…
By linking two new, reciprocally interrelated research approaches – Genetic Text Criticism and the Digital Edition – the highly complex dynamics of compositional processes in Beethoven’s oeuvre, for the investigation of which source tradition and indexing provide ideal conditions, are to be explored, documented, and reproduced in exemplary digital editions in a new way.
The new Weber Complete Edition is based on the current status of musicological editing processes, with a clear focus on the historical aspect in addition to the critical aspect. It presents all of Weber’s musical works, including the piano excerpts from his own and foreign works as well as his arrangements of his own and foreign works, taking into account all available sources. Fragmentary…
The German-Swiss edition project "Der späte Nietzsche" publishes Friedrich Nietzsche's late estate for the first time in its entirety and true to the manuscript. Since 2001, the manuscript edition has been published as the ninth section (KGW IX) in the Critical Complete Edition of the Works, founded by Giorgio Colli and Mazzino Montinari. In addition, the outstanding manuscripts are published in a…
Gottfried Semper’s two volume «Style in the Technical and Tectonic Arts, or Practical Aesthetics» (1860/63) is presented for the first time in a critical digital edition. All its different stages are made available as digital facsimiles and transcriptions: manuscripts, fair copies, proofs, prints and their variants, drawings for illustrations, woodcut proofs.
The project “Johann Friedrich Blumenbach –Online” (www.blumenbach-online.de) aims at making the rise of German science within the European context visible, and at supplying a missing part in accessible primary source material on the cultural history of the time: the publications of Johann Friedrich Blumenbach. This is particularly significant with regard to an essential aspect of this period: the…
The Leipzig edition of Felix Mendelssohn Bartholdy’s works is intended to make all accessible compositions, letters and writings as well as all other documents of his artistic work available to the public in a scientifically appropriate form. As a historical-critical edition, it aims to serve research and musical practice in equal measure. The issue is published in 13 series. Approximately 80…
The Royal Prussian Academy of Sciences started with a complete edition of the writings of Immanuel Kant in 1894, which is published in the sections “work”, “correspondence”, “handwritten literary remains” and “lectures” since 1900. The project will complete the edition by reediting or revising the sections “work” and “correspondence”, by filling up essential lacunae and by correcting plenty of…
The aim of the internationally geared project is the critical edition of exemplary works of the European music theatre from Baroque to Modernism. Thus, for the first time an academy-project exclusively addresses the music theatre and its diverse manifestations. Published are the works from the French, Italian, German, Scandinavian, and Slavic music theatre.
The Swiss Idioticon is an institute for the research and documentation of the German language and its dialects in Switzerland. Its main task is the development of the dictionary of the Swiss-German language (Swiss Idiotikon) in printed and digital form. This work describes Alemannic vocabulary in Switzerland from the late Middle Ages to the 21st century. It is the largest regional dictionary in…